Erik Saxon, “Untitled”, Acrylic on canvas 1975
ERIK SAXON (b. 1941) San Francisco, CA
Acrylic on canvas
Signed: Erik Saxon 74 75 (on back of frame)
Canvas H: 24” x W: 24”
Framed H: 26 1/4” x W: 26 1/4”
***24 layers of paint were applied to the surface and the painting is 24 inches high and wide. Erik Saxon was born in San Francisco in 1941 and now resides in New York City. He received both his Bachelor and Master of Arts from Berkeley (The University of California). Originally from San Francisco but based in NYC since 1968, Saxon was a core member of the Radical Painting Group active in NYC during the 1970s and 1980s. The RPG stressed a return to the core concerns of painting, focusing primarily on the monochrome. The group included Erik Saxon, Phil Sims, Merrill Wagner, Dale Henry, Doug Sanderson, Susanna Tanger, Anders Knutsson, Marcia Hafif, Jerry Zeniuk, Frederic Matys Thursz. In 1973 Saxon began making abstract work based on the grid format, initially using watercolor on paper and then industrial paint on raw canvas. The same year he began exploring the idea of monochromatic canvases – a series of acrylic drawings consisting of white and off-white squares arranged into groups of three to five panels – but tabled the idea a year later to focus his attention on paintings organized around a nine square grid structure. For the past thirty years, Saxon has worked with the monochrome and it’s relationship to its surroundings–the wall, the floor, its location within the exhibition space, and the viewer. In addition to his studio work, Saxon is a writer and has had his essays published in Artforum, Art in America, Appearances and other respectable art magazines. Radical Painting denotes an abstract art tendency in Europe and North America, which was in existence in the 1980s and 1990s and has to be seen in the light of Postmodernism. The term Radical Painting was used in the context of an exhibition at the Williams College Museum of Art in Williamstown (MA) in 1984 for the first time. It describes a self-referential art, which addresses topics of its immanent characteristics – especially color, but also image carriers, surface and structure. The Radical Painting artists and their monochrome painting are in the tradition of Post Painterly Abstraction of the 1950s and 1960s and shows notions of Minimal Art. The roots of radical art can also be found in the stylistic ambitions of Constructivism, Suprematism and Art Concret. In terms of style, radical painting is characterized by mostly monochrome works that focus on color effects, shading and material properties, entirely doing without external motifs. Radical Painting enables the observer to sensually experience the picture with its independently perceived color and light values, uniquely achieved by the painting technique, subtle coating methods or change of flows. Among the main artists of Radical Painting are Phil Sims, Marcia Hafif, Günter Umberg and Joseph Marioni; others radical artist are Jerry Zenuik, Andreas Exner, Frederic Matys Thursz, Rudolf De Crignis, Christiane Fuchs, Ingo Meller, Eric Saxon, Peter Tollens, Dieter Villinger, Ulrich Wellmann, Olivier Mosset and Winston Roeth.
Saxon’s works can be found in the following selected Public and Private Collections: artothek, Kolnisches Stadt Museum, Cologne, Germany. Bank of America, San Francisco. Fogg Museum, Havard University , Boston, MA Goteborg Museum of Art, Sweden Lita Hornik, New York IBM, San Jose, CA Wynn Kramarsky, New York Herbert Minkel, New York Mondriaanhuis, Museum voor Constructieve en Concrete Kunst, Amersfoort, Neatherlands. Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancover,B.C., Canada Museo Cantonale d’Arte of Lugano , Switzerland Museum fur Kommunikation, Frankfurt, Germany Museum of Modern Art, Belgrade MOMA, Museum of Modern Art , New York . Gift of Wynn Kramarsky National Gallery of Art, Washington , D.C. UCLA Hammer Museum, Los Angeles , CA University of Kentucky Art Museum, Lexington, KY Yale University Art Gallery, New Haven, CT
Erik Saxon, “Untitled”, Acrylic on canvas 1975
Peter Canty received his BA in art from the Chouniard Art Institute, Los Angeles (now California Institute of the Arts) and an MA from the University of California, Santa Cruz in 1969. Heavily influenced by the Post-Impressionist masters Van Gogh, Gauguin and Cezanne, in his own he words he describes his interest in landscapes, believing they are, “the best vehicle for motion, force, and color dynamics.” Although his work reference realistic subjects, Canty’s imagery is drawn strictly from his own imagination.
FORREST (FROSTY) MYERS (1941- ) USA
Orange cube 2008
Orange anodized and contoured aluminum wire manipulated into a cube form
Signed: Orange Cube, 08, Forrest Myers (on plaque)
For more information see: Who Was Who in American Art (Madison, Conn.: Sound View Press, 2003-2004 25th Edition), Dictionary of American Sculptors: 18th Century to the Present, Glen Opitz (Poughkeepsie, NY: Apollo, 1984).
Dimension: 10 1/2″ cube
A sculptor and art teacher born in Long Beach, California, Forrest Myers settled in Brooklyn, New York. Myers studied at the San Francisco Art Institute. His teaching venues include the San Francisco Art Institute, School of Visual Arts in New York, Kent State University, and the Parsons School of Design. His studio is in Brooklyn.
In the early 1980s, Forrest Myers was applying Buckminster Fuller's principles of tensegrity and repeated tetrahedrons into his designs for furniture. This exploration culminated in the use of aluminum wire that becomes structural when bent and pressed into a dense tangle.