Product Description
Moshe Oved (1883-1958) “Marabou Stork” ring, hand tooled lost wax 18K gold casting in full dimension as a complete biomorphic form of the bird and set with sapphire eyes, c.1940
Moshe Oved (1883-1958) “Marabou Stork” ring, hand tooled lost wax 18K gold casting in full dimension as a complete biomorphic form of the bird and set with sapphire eyes, c.1940
JOSEF HOFFMANN (1870-1956) Austria
JACOB & JOSEF KOHN Vienna, Austria
Oval occasional table c.1915
Model no. 960/4
Ebony stained beech
Marked: original Jacob & Josef Kohn paper label
Illustrated: Jacob & Josef Kohn: Bentwood Furniture, der Katalog von 1916 (München: Verlag Dry, 1985), p. 69;
Against the Grain: Bentwood Furniture from the Collection of Fern and Manfred Steinfeld, Ghenete Zelleke, Eva B. Ottilinger and Nina Stritzler (Chicago: The Art Institute of Chicago, 1993) p. 88.
H: 29 3/4″ x D: 15″ x W: 17 3/4″
Price: $7,500
George Logan (1866–1939) Glasgow, Scotland
Wylie & Lochhead, Ltd. Glasgow
British Arts & Crafts Movement/Glasgow Style
“The Grey Bower” chair, circa 1905.
Stained beech and contemporary silk upholstery.
Illustrated in a published drawing “The Grey Bower” by George Logan for Mssrs. Wylie & Lochhead in an article entitled ” A Color Symphony”: The Studio Magazine 1905
H: 53 3/8” x W: 18” x D: 13 3/4”
The Glasgow School was a circle of influential modern artists and designers who began to coalesce in Glasgow, Scotland in the 1870s, and flourished from the 1890s to sometime around 1910. Wylie and Lochhead’s output in the Glasgow Style, which was showcased at the 1901 Glasgow International Exhibition was designed by three young craftsmen – Ernest Archibald Taylor (1874–1951), John Ednie (1876–1934) and George Logan (1866–1939).