Product Description
French Art Deco Dinanderie footed vase c. 1930
Dinanderie footed vase c. 1930
Patinated copper with inlaid pattern of circles and lines
Marks: Gilleod
French Art Deco Dinanderie footed vase c. 1930
JULIA EDNA MATTSON (d.1967) Grand Forks, ND
UNIVERSITY OF NORTH DAKOTA Grand Forks, ND
Vase c. 1913-1920
Earthen-ware with blue-green glaze, incised with lime-green linear decoration
Marks: University of North Dakota, Made at School of Mines, Barclay, Grand forks, ND (Cobalt blue seal), JM (Julia Mattson)
For more information see: Barr, Paul E. North Dakota Artists. Grand Forks: University of North Dakota Library, 1954; Miller, Don. University of North Dakota Pottery: The Cable Years. Grand Forks: University of North Dakota Visual Arts Dept., 1999; Palmer, Bertha Rachael. Beauty Spots in North Dakota. Boston: Bruce Humphries, Inc., 1939
H: 3 5/8″ x Dia: 5 1/4″
Price: $3,250
Julia Edna Mattson worked as an instructor and later as Assistant Professor in the University of North Dakota’s Ceramic department between the years 1924-1963. Her designs reflect an interest in the Arts and Crafts movement in America and American Indian pottery. Early UND pottery is characteristic of the Arts and Crafts and Art Nouveau movement. The decoration of this vessel recalls the graphic designs found on Indian basketry as well as the Prairie School windows of Frank Lloyd Wright.
ROBERT SCHELLIN (1910 – 1985) USA
“Calligraphy” Floor Vase 1958
Hand thrown earthenware with a light and dark brown glaze with a stylized abstract calligraphic motif encircling the body
Marks: various marks and estate stamps Robert Schellin, Made in 1958, P88, C118 (paper labels)
For more information see: Schellin, A Retrospective (Milwaukee: School of Fine Arts, The University of Wisconsin, 1975); Who Was Who in American Art, (Madison, Conn.: Sound View Press, 1985), p. 547.
H: 23 1/2″ x Dia: 7″
Price: $9,000
Robert Schellin’s life as an artist was consistent, productive, and based on firm philosophical foundations. Regarding his own progress, he had always been aware, as a young art student and later as a mature artist, that deliberately narrowing the focus of his interests to assure a more constant public notice would run the risk of his becoming highly expert, but sterile in expression. From the beginning of art student days Schellin moved from very satisfying periods of drawing and painting to work in three-dimensional
Media, frequently in the medium of ceramics.
Schellin left the W.P.A. in 1937 to teach at the University of Wisconsin in Milwaukee. After a year he moved to East Orange, New Jersey, supervising art in the public schools. It was during this stay in the New York metropolitan area that he studied with Hans Hoffmann at his Eighth Street School and witnessed at first hand the changing art scene and the growing commercialism of the artists market. Robert Schellin later returned back to Milwaukee rejoining the faculty of the University of Wisconsin (UWM). His works have been exhibited for many years in Wisconsin and national shows including the Wisconsin State Fair; the Art Institute of Chicago, 1944; the Walker Art Center, Minneapolis, 1946; and the Milwaukee Art Institute numerous times between 1939-1960. He was included in the USIA European Traveling exhibition 1959-61.