Mathilde Augé / Ely Vial Limoges French Art Nouveau Eucalyptus vase c. 1900
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Mathilde Augé / Ely Vial Limoges French Art Nouveau Eucalyptus vase c. 1900
MATHILDE AUGÉ France
ELY VIAL France
Eucalyptus vase c. 1900
Colored enamels on copper with foil-backing depicting eucalyptus berries and leaves, gilt details
Signed: MA (artist’s monogram)
For more information see: The Paris Salons 1895-1914 Jewellery, Vol. I: Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994), p. 44; The Paris Salons 1895-1914, Objets d’Art et Metalwork, Vol. 5, Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994) p. 58; 1900, Philippe Thiébaut et al., exhib. cat. (Paris: Réunion des musées nationaux, 2000), p. 256.
Reinhold Klaus / Carl Geyling Atelier Vienna “Cubist Man with top hat and flowers” stained glass window c. 1930
REINHOLD KLAUS (1881-1963) Vienna, Austria
CARL GEYLING ATELIER (founded 1841) Vienna, Austria
Man with tophat and flowers c. 1930
Window of stained and hand-painted leaded glass
Provenance: Estate of Carl Geyling (1814-1880), Vienna
H: 17 3/4″ x W: 14 1/2″
Reinhold Klaus studied from 1898-1902 with Alfred Roller at the Kaiserlich-Königliche Kunstgewerbeschule in Vienna. In 1914 Klaus married into the Carl Geyling family and became extensively involved with with stained glass painting. As early as 1918 Klaus worked on a stained glass window for the Siegestempel am Bisamberg in Vienna. In 1934 he became a professor of stained glass painting at the Kunstgewerbeschule, as well as creative director of the C. Geylings Erben glass painting company. Reinhold Klaus, a member of the Künstlerhaus since 1924 received many prizes and honors. He worked on commissions for the St. Veits cathedral in Prague, the St. Stephan cathedral in Vienna and many others.
Marcus & Co. Art Nouveau brooch, “Tibula” shaped 18k yellow gold brooch set with three natural pearls, the natural center button pearl approx. 10 mm in diameter (G.I.A. certificate, 3 natural freshwater pearls, weight 24.90 grams, measurement range from 5.46 to 12.26mm), 16 sugarloaf cabochon sapphires, the two large and high dome middle sapphires with a purple hue, 20 pave set round diamonds all surrounded with clear plique-a-jour further trapped with platinum flakes, signed c. 1897
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