Product Description
George Washington Maher “Rockledge” American Arts & Crafts side chair 1911-12
(Gift to The Wolfsonian-FIU, Miami Beach, FL)
George Washington Maher (1864-1926) USA
Rockledge side chair, 1911-1912.
Stained oak with the original leather upholstery and leather-covered tacks.
Provenance: Ernest L. & Grace King residence, Homer, Minnesota
H: 40 ¾” W: 18 ½” x D: 20 ¼”
(Gift to The Wolfsonian-FIU, Miami Beach, FL)
In 1912 George Washington Maher designed Rockledge, a summer residence near Homer, Minnesota, for E.L. King. Sited just beneath a cliff along the Mississippi River, Rockledge is considered the finest residence of Maher’s career and a perfect example of his motif-rhythm theory of architectural design.
Information and other examples from the Maher / Rockledge commission can be found in the following books and publications: The Art that is Life: The Arts and Crafts Movement in America, 1875-1920, ed. Wendy Kaplan, (Boston: Museum of Fine Arts, Boston, Little, Brown and Company, 1987), pp. 396-400,The Ideal Home: The History of Twentieth Century American Craft, 1900-1920, Janet Kardon (New York: Abrams, 1993) cover illus. and p. 205; Geo. W. Maher Quarterly, Oct.-Dec., 1992, pp. 1, 16, 17; Arts, December, 1995, The Minneapolis Institute of Arts, Minneapolis, Minn. cover and back cover.
Examples of artworks from Rockledge are in the permanent collections of The Metropolitan Museum of Art, Cooper-Hewitt National Design Museum, NY, The Brooklyn Museum of Art, The Minnesota Historical Society, The Newark Museum, The Baltimore Museum of Art, The Minneapolis Institute of Arts, The Milwaukee Art Museum, The Wolfsonian, Miami Beach, FL, Dallas Museum of Art, the Houston Museum of Fine Arts and the St. Louis Art Museum.
George Washington Maher “Rockledge” American Arts & Crafts side chair 1911-12
(Gift to The Wolfsonian-FIU, Miami Beach, FL)
Peter Canty received his BA in art from the Chouniard Art Institute, Los Angeles (now California Institute of the Arts) and an MA from the University of California, Santa Cruz in 1969. Heavily influenced by the Post-Impressionist masters Van Gogh, Gauguin and Cezanne, in his own he words he describes his interest in landscapes, believing they are, “the best vehicle for motion, force, and color dynamics.” Although his work reference realistic subjects, Canty’s imagery is drawn strictly from his own imagination.
GIO PONTI (1891-1979) Italy
DEL CAMPO Italy
Graphic enameled bowl c. 1955
Silver foil enameling on copper with a striated silvery white body with a dark silver grey modernist graphic.
Marks: del campo, ITALY (etched marks)
For more information on Ponti and Del Campo see: Gio Ponti, ed. Ugo La Pietra (Rizzoli International Publications: New York, 1996); Gio Ponti: the complete work 1923-1978, Lisa Licitra Ponti (Cambridge, MA: The MIT Press, 1990)
8” square
1″ Height
Price: $3,200