Product Description
Hayno Focken / Modernist round covered copper box c. 1935
HAYNO FOCKEN (1905-1968) Germany
Round covered box c. 1935
Hand-wrought and hand-hammered copper with brass details
Marks under the foot: HF (conjoined monogram)
For other works by Hayno Focken see: Metallkunst: Vom Jugendstil zur Moderne (1889-1939), ed. Karl H. Bröhan (Berlin: Bröhan Museum, 1990), illus. 177, p. 183; Avantgarde Design 1880=1930,Torsten Bröhan & Thomas Berg (Köln, Benedict Taschen, 1994) p. 116; , (Berlin 1937) S. 43f, Abb. 37, Abb. S 128, S 146, Sl 243; Die Schaulade 15 Ausg. A (1939) Abb. S. 197, S. 204, S. 213; Die Schaulade 16 Ausg. A (1940) Abb. S. 44, S. 51., S. 54, S. 71, S. 83. S. 89; Die Kunst 84 (1941) S. 136, S. 139-39; Die Schaulade 17 (1941) Abb. S. 13, S. 41, S. 82, S. 229;
H: 4 ¼” x Dia: 4 7/8”
Hayno Focken (1905-1968) was an eminent German metal artist. He completed his training under Professor Karl Müller (1888-1972) at the design and arts school on Giebichenstein Castle in Halle (Saale), which was strongly tied to the ideals of the Deutsche Werkbund and the Bauhaus. In 1932 he established his own workshop in Lahr/Schwarzwald and continued his work until shortly before his death. His artistic work always stood out with a strong preference for large, organic forms, a similar manner of surface design and the same adherence to the principle of handicraft. Even his artist signet was modelled on the simple, square castle mark. In the 1950s he became one of those significant artists who had a major impact on contemporary metal design. The foundation of his creative work was a masterful understanding of proportions.
Hayno Focken / Modernist round covered copper box c. 1935
XANTI SCHAWINSKY (1904-1979) Switzerland/USA
Optical Structure 1943
Silver gelatin print
Signed: Xanti Schawinsky 1943 (script signature and date in ink on back of photo)
Photograph: H: 7 7/8” x W: 8”
Frame: H: 16 9/16” x W: 16 9/16”
Price: $24,000
Xanti Schawinsky is usually known either for the activities of his early career, as a young ‘enfant terrible’ of Bauhaus theatre, or for the work he produced at its close as a respected and mature abstract artist. However these two perspectives ignore his tremendous versatility, and the important role he had to play in bringing Modernist ideas to different parts of the inter-war world. Schawinsky was born in Switzerland, the son of a Polish Jew. His creative nature was obvious from an early age, and in his teens he studied art and music in Zurich, before travelling to Berlin and Cologne to learn about design and architecture. In 1924 he enrolled at the Bauhaus, and became involved in the school’s vibrant theatrical scene, also focusing on photography and painting. From the mid 1920s Schawinsky undertook wide range of professional commissions, working as a stage designer, a municipal studio director and a freelance designer. He also returned to the Bauhaus to teach. In 1933 Germany’s growing intolerance forced him to move to Milan, where he spent several years producing commercial graphic design, principally for the typewriter company Olivetti. An invitation to join the progressive Black Mountain College brought him to the USA in 1936. He spent two years at Black Mountain introducing Bauhaus ideas to his American students, before moving to New York to take up freelance design and pursue painting – an activity which absorbed almost all of his attention in his final years. As innovative in commercial art as he was in his unpaid pieces, Schawinsky’s work demonstrated the huge creative power of the inter-war meeting of art and industry.