Just Andersen (1884-1943), Denmark.
Pair of five-branch Art Deco candelabra, circa 1925.
Cast and wrought bronze with original rich brown and green patina.
Marks: Denmark just in a triangular cartouche, No. B180.
For more information see: “Just Andersen: Manden og Vaerket” by Svend Rindholt in Samleren: Tidskrift for Kunst og Kunstindustri (Attende Aargang, 1941) pp. 171-194; Dansk Biografisk Leksikon. Første Bind (Copenhagen: Gyldendal, 1979) p. 199. The Design Encyclopedia. Mel Byars (New York: John Wiley & Sons, Inc., 1994) p. 23.
H: 17 5/16″ x W: 17 1/2″
By repute this pair of candelabra were exhibited in the Danish section at the Paris 1925 Exposition.
Just Andersen was a designer and craftsman for Georg Jensen until 1918 when he left to open his own studio. These candelabra are exquisite and remarkable examples of Danish Art Deco design and a testament to the artist’s consummate craftsmanship. Andersen’s bronzes are characterized by rich, deep patination and superlative casting quality and surfaces.
JUST ANDERSEN (1884-1943) Denmark
Grand vase c. 1935-40
Rich deep brown patinated bronze, neck with three sets of four incised lines, with flaring rim and gilt edge
Marks: DENMARK, JUST (in a triangular cartouche), No. B 2055
For more information see: “Just Andersen: Manden og Vaerket” by Svend Rindholt in Samleren: Tidskrift for Kunst og Kunstindustri (Attende Aargang, 1941) pp. 171-194; Dansk Biografisk Leksikon. Første Bind (Copenhagen: Gyldendal, 1979) p. 199. The Design Encyclopedia. Mel Byars (New York: John Wiley & Sons, Inc., 1994) p. 23.
H: 13 1/2″ x Dia: 8″
Designer Just Andersen trained with Peter Hertz and Mogens Ballin, the premier silversmith in Copenhagen. He was also employed as a designer for Georg Jensen before he decided to open his own silver and metal studio in 1918. The elegant, simple forms and richly-patinated surfaces are highly characteristic of Andersen’s high level of design and superlative craftsmanship.