American Art Deco, Neon, OK Chevrolet Used Truck Sign c.1940’s
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American Art Deco, Neon, OK Chevrolet Used Truck Sign c.1940’s
AMERICAN NEON DESIGN
OK Chevrolet Used Truck Sign c.1940’s
Blue, yellow and red baked enamel on metal with an orange neon tube spelling out “OK” encircled with a round blue neon border, original paper tag.
Marks: Registration Mark (in the enamel) Original paper tag, This is an OK Used Truck, Authorized Chevrolet Dealer, Chevrolet Motor Division, General Motors Corporation
Italian Futurist 1950’s “Auntie Mame” Handwrought Pewter Pitcher c.1950
1950’s ITALIAN DESIGN
Futurist pitcher c. 1950
Handwrought and hand hammered pewter in an overall footed ovoid form with a traingle form spout body and an elongated arching contoured handle
Marked: PELTRO with lion, MADE ITALIA
H: 15″ x W: 9″ x D: 4″
Price: $6,000
The 1958 classic film, Auntie Mame, starring Rosalind Russell, features this sculptural pitcher on the coffee table in the surrealist interior of Mame Dennis’ penthouse on Beekman Place #3, New York City.
Jan de Swart, Handcarved “Peach” Sculpture, c.1970
JAN DE SWART (1908-1987) Netherlands / USA
Peach sculpture c. 1970
Hand carved and formed jelutong wood in a symbolic / erotic form of a peach
For more information see: Jan de Swart: A Day That Becomes a Lifetime, exhibition catalogue (California: Fine Arts Gallery at the San Fernando Valley State College, February 1972); Jan de Swart, Mike McGee and William G. Otton (Laguna Beach, California: Laguna Art Museum, 1986).
H: 7 ½” x D: 4”
Price: $7,500
Constantly seeking and inventing new materials Jan de Swart was a true modernist. He was influenced by artists such as Isamu Noguchi, Harry Bertoia, Charles Eames, and later Sam Maloof and Wendell Castle. Although he had been creating small sculptures since his arrival in California from Holland in 1929, he had not been widely recognized until being introduced to John Entenza, publisher of Arts & Architecture magazine in 1947. Soon thereafter, he was able to create larger works and began collaborating with architects such as Whitney Smith and Victor Gruen on special commissions. His work is in the permanent collection of Los Angeles County Museum of Art, The Smithsonian, and the Ford Foundation. He was honored with the American Institute of Architects Gold Medal for Sculpture in 1965.
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