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  Christopher Dresser / Benham & Froud Aesthetic Movement Kettle c. 1885

  CHRISTOPHER DRESSER  (1834-1904)  UK
  BENHAM & FROUD  London, England

  Kettle    c. 1885

  Copper, brass, wood handle and finial

  Marks: maker’s cipher

  Illustrated: Minor Masters of the XIXth Century: Christopher Dresser, Industrial Designer, by N. Pevsner, (Architectural Review, 1937), p. 184, illus. 1; Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998) p. 67.

  H: 9 1/2″ x Dia: 9″

  Price: $4,450

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  Eugene Fontenay (1823-1887) “Wisteria” brooch and fitted with original pendant attachment in 18k gold with extremely fine detailing, superb granulation and hanging pendant blossoms, marked: EF in a diamond poincon (the mark of Eugene Fontenay), French Eagle’s head touchmark for 18k gold (2x), c.1875

  Eugene Fontenay (1823-1887) “Wisteria” brooch and fitted with original pendant attachment in 18k gold with extremely fine detailing, superb granulation and hanging pendant blossoms, marked: EF in a diamond poincon (the mark of Eugene Fontenay), French Eagle’s head touchmark for 18k gold (2x), c.1875 

  Length of pendant: 3 and 3/8 inches x width: 1 and ½ inches

  Weight: .60 Troy ounce / 18.6 grams / 11.9 pennyweights

  Matching French open wirework long necklace in 18k gold with fine detailing and delicate beadwork details, marked: TM in a diamond poincon (maker’s mark and possibly that of Michel Tricaud), French eagle’s head touchmark for 18k gold (3x), c.1875

  Length: 58 inches long x width: 3/8 inches 

  Weight: 2.01 Troy ounces / 62.7 grams / 40.3 pennyweights 

  Pendant and necklace combined weight: 2.61 Troy ounces / 81.2 grams / 52.3 pennyweights

  Nineteenth century French goldsmith Eugène Fontenay (1823-1887) was born into the profession, with a family name long known for their skills as goldsmiths. Fontenay opened his own studio in 1847 after apprenticing with Marchand and working for the Parisian jeweler Dutreih. Influenced by the archeological revival style of the period, a response to the Campana Collection of classical jewels, brought to France in 1861. Fontenay became an author as well, and published books including  “Les Bijoux Anciens et Modernes” in 1887, after selling his workshop.