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  Mathilde Augé / Ely Vial Limoges French Art Nouveau Eucalyptus vase c. 1900

  MATHILDE AUGÉ France

  ELY VIAL  France

  Eucalyptus vase   c. 1900

  Colored enamels on copper with foil-backing depicting eucalyptus berries and leaves, gilt details

  Signed: MA (artist’s monogram)

  For more information see:  The Paris Salons 1895-1914 Jewellery, Vol. I: Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994), p. 44; The Paris Salons 1895-1914, Objets d’Art et Metalwork, Vol. 5, Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1994) p. 58; 1900, Philippe Thiébaut et al., exhib. cat. (Paris: Réunion des musées nationaux, 2000), p. 256.

  H: 10 1/2″ x Dia: 4 1/2″

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  Franz Bergman (attr.) Bronze Bull Pen Wipe c. 1900

  Franz Xaver Bergman (1861–1936)  (attr.) Vienna, Austria.

  Bull pen wipe c. 1900

  Cold painted bronze, boar’s hair bristles, horn.

  For information see: Art Bronzes, Mich. Forrest (Schiffer, 1988).

  H:  5 1/4” x L:  11”

  Franz Xaver Bergman (1861–1936) was the owner of a Viennese foundry who produced numerous patinated and cold-painted bronze Oriental, erotic and animal figures, the latter often humanized or whimsical, humorous objects d’art.

  A well-known anamalier at the turn-of-the century, the sculptor Franz Bergman created a number of small bronzes in a variety of subject matter.  Other figurative works were informed by the Jugendstil/Art Nouveau style and the European taste for the exotic as is found in his figures of rug merchants and camels.  His animal sculptures, however, capture the Viennese tradition of naturalistic bronzes.  The quality of the bronze casting shows tremendous detail, which was carefully brought out through the applied patination process known as cold painting.