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  Weber & Cie, Geneva Switzerland (1842-2017) “Mod” or “Op Art” bracelet that forms a tapered cuff with a repeat circle in a square motif in alternating 18k yellow and white gold sections that are further joined with strapwork and give the visual impression of a woven surface, marked: maker’s mark of AW (A. Weber) intersecting initials in an oval cartouche, 750 (18k gold mark), Swiss Made, 18k, c.1960’s

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  Jan de Swart hand carved Zebra wood Mystery box c. 1970

  JAN DE SWART (1908-1987) Netherlands / USA

  Mystery box c. 1970

  Hand carved and assembled box form with a curiosity element of a large turquoise cabochon with raw hide wraps underneath the lid.

  For more information see: Jan de Swart: A Day That Becomes a Lifetime, exhibition catalogue (California: Fine Arts Gallery at the San Fernando Valley State College, February 1972); Jan de Swart, Mike McGee and William G. Otton (Laguna Beach, California: Laguna Art Museum, 1986).

  W: 16 1/2″ x H: 4 1/2″ x D: 5″

  Price: $4,700

  Constantly seeking and inventing new materials Jan de Swart was a true modernist.  He was influenced by artists such as Isamu Noguchi, Harry Bertoia, Charles Eames, and later Sam Maloof and Wendell Castle.  Although he had been creating small sculptures since his arrival in California from Holland in 1929, he had not been widely recognized until being introduced to John Entenza, publisher of Arts & Architecture magazine in 1947.  Soon thereafter, he was able to create larger works and began collaborating with architects such as Whitney Smith and Victor Gruen on special commissions.  His work is in the permanent collection of Los Angeles County Museum of Art, The Smithsonian, and the Ford Foundation.  He was honored with the American Institute of Architects Gold Medal for Sculpture in 1965.