Product Description
Eugene Fontenay (1823-1887) “Wisteria” brooch and fitted with original pendant attachment in 18k gold with extremely fine detailing, marked, c.1875, matching French open wirework long necklace in 18k gold
Eugene Fontenay (1823-1887) “Wisteria” brooch and fitted with original pendant attachment in 18k gold with extremely fine detailing, superb granulation and hanging pendant blossoms, marked: EF in a diamond poincon (the mark of Eugene Fontenay), French Eagle’s head touchmark for 18k gold (2x), c.1875
Length of pendant: 3 and 3/8 inches x width: 1 and ½ inches
Weight: .60 Troy ounce / 18.6 grams / 11.9 pennyweights
Matching French open wirework long necklace in 18k gold with fine detailing and delicate beadwork details, marked: TM in a diamond poincon (maker’s mark and possibly that of Michel Tricaud), French eagle’s head touchmark for 18k gold (3x), c.1875
Length: 58 inches long x width: 3/8 inches
Weight: 2.01 Troy ounces / 62.7 grams / 40.3 pennyweights
Pendant and necklace combined weight: 2.61 Troy ounces / 81.2 grams / 52.3 pennyweights
Nineteenth century French goldsmith Eugène Fontenay (1823-1887) was born into the profession, with a family name long known for their skills as goldsmiths. Fontenay opened his own studio in 1847 after apprenticing with Marchand and working for the Parisian jeweler Dutreih. Influenced by the archeological revival style of the period, a response to the Campana Collection of classical jewels, brought to France in 1861. Fontenay became an author as well, and published books including “Les Bijoux Anciens et Modernes” in 1887, after selling his workshop.
Eugene Fontenay (1823-1887) “Wisteria” brooch and fitted with original pendant attachment in 18k gold with extremely fine detailing, marked, c.1875, matching French open wirework long necklace in 18k gold
Grosfeld House New York
Lucite stool circa 1940.
Cylindrical lucite base stool with gold lucite wrap like connecting elements, silk upholstery.
H: 16 1/4″ x W: 13 1/2″ x D: 16 1/2″
Grosfeld House Furniture Company manufactured some iconic designs of the twentieth century. Some of the great designers that work for the company were Vladimir Kagan and Lorin Jackson. They produced some of the earliest chairs using Lucite starting in the 1930’s and through the Post War Era.
BATISTIN SPADE (1891-1969) Paris, France
Coffee / occasional table 1935-40
Caramel lacquered wood, brushed conical brass sabots
Signed: B. SPADE, DECORATEUR, PARIS (metal plaque)
H: 17 5/8″ x W: 31 5/8″ x D: 18″
After WWI, Marseilles-native Batistin Spade started a workshop for cabinetry and textile design. During the years between the wars he gained recognition for his refined and sumptuous furniture and interiors. The designer worked on some 30 ocean liners, including the Île de France (1926) and the Normandie (1935). In the early 40s, Mobilier National chose Spade to create office interiors for numerous ambassadors and government officials.