Product Description
Filippo Tommaso Marinetti, “Les Mots en Liberte Futuristes” 1919
FILIPPO TOMMASO MARINETTI (1876-1944) Italy
“Les Mots en Liberte Futuristes” 1919
Bound volume with folding plates
Edizioni Futuriste di “Poesia”
Published by Corso Venezia, 61, Milan
Dimensions:
Book: H: 8 15/8” x W: 5 1/16”
Custom leather box: H: 8 15/16” x W: 6 1/16” x D: 1 3/16”
Custom silk slipcase: H: 10” x W: 16 5/8” x D: 1 7/8”
With this fundamental book whose subject was the so-called “words-in-freedom,” F.T. Marinetti summarized about 15 years of research in the field of the renewal of poetic and literary language. This book features several typographic compositions spread in fold-out pages where the author shows his great creativity in typographic composition by using typefaces of very different style and size, as well as hand-designed typefaces and calligraphic writings. The results are of striking, impressive, visual effects that have since influenced many writers and poets.
Filippo Tommaso Marinetti, “Les Mots en Liberte Futuristes” 1919
TOMMI PARZINGER (1903-1981) Germany/USA
PARZINGER, INC. New York
Coffee table c.1939
Carved and ceruse oak with an incised diamond pattern pewter top
Illustrated: Arts and Decoration, June 1940
***This table was originally priced at $80 during the period, as it appears in the Arts and Decoration vintage illustration from 1940.
For other examples of Parzinger’s work see: Town & Country, Vol. 54, “Counter Points”, December 1939, p. 31; Town & Country, Vol. 95, “Counter Points”, June 1940, p. 19; The Studio, 1938, “For the Table”, p.107-09; The Studio, 1942, “Tommi Parzinger, Designer of Modern Interiors and Silver”, p.37; Decorative Art, Studio Yearbook (London & New York: The Studio Publications, 1952-53), p. 98; Craft in the Machine Age, ed. Janet Kardon (New York: American Craft Museum, 1995) p.128, 134, 183, 241.
H: 12” x L: 42” x D: 14”
Price: $34,500
This is a wonderful and rare coffee table by Tommi Parzinger in beautifully detailed ceruse oak with a diamond pattern pewter inset top. This table was
completely handmade and dates from 1940, shortly after Parzinger opened his first eponymous gallery on East 57th Street. It is low and lean with exquisite Neoclassical Revival carved details and a silhouette that calls to mind an American take on Jean Michel Frank’s sober and refined elegance of the same time period. The cross-hatch carving with tassels on the two long sides and the related top corner details also have a charm reminiscent of Parzinger’s affable personality and effervescent design sensibility.