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  Christopher Dresser / James Couper & Sons Blown glass cabinet vase c. 1890

  CHRISTOPHER DRESSER (1834-1904) UK

  JAMES COUPER & SONS Glasgow, Scotland

  “Clutha” vase c. 1890

  Blown glass with a strawberry red and green swirl design and internal bubbles

  Marks: CLUTHA DESIGNED BY CD REGISTERED (acid etched)

  Illustrated: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998) p. 72/73

  H: 3 1/4″

   

   

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  Paul Laszlo Rare Art Deco Enameled Sterling Cigarette Case c.1925

  PAUL LÁSZLÓ  (1900-1993)   Austria / USA
  MARIA ROTT (enamel) Vienna, Austria

  Enameled sterling cigarette case  c.1925

  Hand painted foil backed and colorful fired enamel scene with a figure and a flowering plant all within a red enamel border on sterling

  Marks: Paul Laszlo (on inside edge, rubbed), RS in a cartouche (Vienna maker’s mark), STERLING

  H: 4″ x W: 3″ x D: 3/8″

  Matching enamel dresser set by Paul Laszlo illustrated: “Kunsthandwerk” Band 62, Heft 5, February 1930

  Born in Budapest, the architect Paul Laszlo studied in Vienna, Paris and Berlin before setting up an office in Vienna.  By 1927, Laszlo had moved to Stuttgart where he quickly made a name for himself across Europe.  In 1936, he relocated to Beverly Hills, California, which had become a haven for many artists and designers seeking artistic freedom.  There he quietly found work designing modern homes and interiors, often for Hollywood celebrities.  Laszlo created textiles, lamps, as well as custom furniture for his modernist homes and corporate interiors.  His comfortable, yet elegant designs pay tribute to the modern luxury and easy livability of the early to mid 20th Century interiors of Vienna.

  This enamel on sterling case really is one of the very best fired enamel examples of its type. It has a wonderful range of beautifully toned and colored enamel with foil backing in some areas which also gives it extra luminosity and metallic glow. It is in perfect condition and the detail and masterful artistic quality of the painting is also extremely fine and exquisitely rendered.

  It has all the style and characteristics of the accomplished Neue Shachlichkeit (or New Realism / Objectivity) painting style Laszlo would have been familiar with and exposed to either in Berlin or Stuttgart as well as the New Realism style in Vogue in Vienna, where Laszlo also worked in the 1920’s. Considering the difficulty in controlling fired enamel, this exceptional Laszlo enameled case is a bargain by comparison of the price per square inch of a comparable painting on canvas such as a Christian Schad or Otto Dix! In fact, paintings are vastly more simple to execute and immediately rendered by comparison to a fired enamel “painting” on sterling like this exceptional case which would require a very lengthy and tedious process to accomplish a work of this caliber.

  Paul Laszlo left Germany for America in 1936 and established a successful design firm in Beverly Hills, became an American citizen and lived happily in Southern California for the rest of his life.