Product Description
George Washington Maher “Rockledge” American Arts & Crafts tall chest of drawers 1911-12
(Gift to The Wolfsonian-FIU, Miami Beach, FL)

GEORGE WASHINGTON MAHER (1864-1926) USA
Rockledge “Man’s chest of drawers” for E.L. King (unique) 1911-12
Original vintage cream/white painted surface (some losses to the top surface) on hardwood structure with original bronze drawer pulls (natural patina)
Provenance: Ernest & Grace King, henceforth descended through the King family; Private Collection, Wisconsin from Hollander Auction Gallery, Milwaukee WI (1982); Private Collection, New York
Illustrated: The Western Architect, “Geo. W. Maher, a democrat in Architecture” (March 1914, n. p. – for a period photograph showing this model in situ in the master bedroom), Prairie School Architecture: Studies from “The Western Architect” H. Allen Brooks (Toronto, 1975, p. 179).
H: 71” x W: 44 ¾” x D: 26 ¼”
(Gift to The Wolfsonian-FIU, Miami Beach, FL)
Information and other examples from the Maher / Rockledge commission can be found in the following books and publications: The Art that is Life: The Arts and Crafts Movement in America, 1875-1920, ed. Wendy Kaplan, (Boston: Museum of Fine Arts, Boston, Little, Brown and Company, 1987), pp. 396-400,The Ideal Home: The History of Twentieth Century American Craft, 1900-1920, Janet Kardon (New York: Abrams, 1993) cover illus. and p. 205; Geo. W. Maher Quarterly, Oct.-Dec., 1992, pp. 1, 16, 17; Arts, December, 1995, The Minneapolis Institute of Arts, Minneapolis, Minn. cover and back cover.
Examples of artworks from Rockledge are in the permanent collections of The Metropolitan Museum of Art, Cooper-Hewitt National Design Museum, NY, The Brooklyn Museum of Art, The Newark Museum, The Baltimore Museum of Art, The Minneapolis Institute of Arts, The Milwaukee Art Museum, The Wolfsonian, Miami Beach, FL, The Boston Museum of Fine Arts, the Houston Museum of Fine Arts, the Dallas Museum of Art and the St. Louis Art Museum.
In 1912 George Washington Maher designed Rockledge, a summer residence near Homer, Minnesota, for E.L. King. Sited just beneath a cliff along the Mississippi River, Rockledge is considered the finest residence of Maher’s career and a perfect example of his motif-rhythm theory of architectural design.
***Please note that the chest in the period illustration (as the pairing on view) is the woman’s version chest of drawers, which is slightly smaller and has the open segmental arched top. This chest can now be found in the collection of the Milwaukee Art Museum. On the other hand the man’s chest of drawers is a larger piece of furniture and has the segmental arch contained within the overall rectangular form of the back support. As a further note, the rocker is now in the permanent collection of the Detroit Institute of Art, courtesy of Historical Design Inc.
George Washington Maher “Rockledge” American Arts & Crafts tall chest of drawers 1911-12
(Gift to The Wolfsonian-FIU, Miami Beach, FL)
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ARRIGO VARETTONI DE MOLIN (1902-1985)
Passaic Rooftops 1932
Oil on canvas
Signed: A V de Molin ’32
Listed: Who’s Who in America, Series II, no. 11 (November 1, 1941) p. 6.
Exhibited: New Jersey State Annual, Montclair Art Museum, 1934
Canvas: H: 39” x W: 35”
CARL VAN VECHTEN (1880-1964) USA
Leontyne Price 1953
Signed: Leontyne Price as Bes, Porgy & Bess, XVII KK 20, May 19, 53 (in ink on back); PHOTOGRAPH BY CARL VAN VECHTEN, 101 CENTRAL PARK WEST, CANNOT BE REPRODUCED WITHOUT PERMISSION (ink stamp on back)
Size: H: 9 5/8” x W: 7 1/8”
REINHOLD KLAUS (1881-1963) Vienna, Austria
CARL GEYLING ATELIER (founded 1841) Vienna, Austria
Man with tophat and flowers c. 1930
Window of stained and hand-painted leaded glass
Provenance: Estate of Carl Geyling (1814-1880), Vienna
H: 17 3/4″ x W: 14 1/2″
Reinhold Klaus studied from 1898-1902 with Alfred Roller at the Kaiserlich-Königliche Kunstgewerbeschule in Vienna. In 1914 Klaus married into the Carl Geyling family and became extensively involved with with stained glass painting. As early as 1918 Klaus worked on a stained glass window for the Siegestempel am Bisamberg in Vienna. In 1934 he became a professor of stained glass painting at the Kunstgewerbeschule, as well as creative director of the C. Geylings Erben glass painting company. Reinhold Klaus, a member of the Künstlerhaus since 1924 received many prizes and honors. He worked on commissions for the St. Veits cathedral in Prague, the St. Stephan cathedral in Vienna and many others.
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