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  Dominick & Haff New York Grand Sterling “Grape” Theme Centerpiece Bowl 1883

  DOMINICK & HAFF (active 1872-1928) USA
  W. H. GLENNY & SONS CO. (retailer, New York City)

  Impressive Grape and Vine centerpiece bowl   1883

  An exceptional and impressive sterling hand wrought “Grape” theme centerpiece bowl by Dominick and Haff (active 1872-1928) , 1883 and retailed by W. H. Glenny & Sons Co. (retailer, New York City)

  Elaborate hand hammered, chased and repousse sterling silver bowl with applied grape branch handles and very deep three dimensional hand repousse grape clusters, leaves and vines, all against a background of graduating honey comb pattern hammer tone marks, original lemon-yellow gold interior, approx. weight: 90 ounces

  Marks: Dominick and Haff makers mark incorporating the date 1883, W. H. Glenny Sons & Co. (retailer), 355A, STERLING

  H: 6 1/2″ x Dia: 18″

  The New York silver firm known today as ‘Dominick & Haff’ originally began with the name ‘William Gale & Son’ in 1862. It went through a series of ownership and name changes to become Dominick & Corning in 1867, Gale and Corning in 1869, Gale Dominick & Haff in 1870 and Dominick & Haff in 1872. In 1929, Dominick & Haff was purchased by the silversmith/ manufacturing company of Reed & Barton of Taunton Massachusetts.

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  Wilhelm Kage / Gustavsberg “Nude” Farsta Studio Bowl c. 1940

  WILHELM KÅGE (1889-1960) Sweden

  GUSTAVSBERG Gustavsberg, Sweden

  “Nude” Farsta bowl c. 1940

  Glazed stoneware with hand inscribed sgraffito decoration of a nude

  Marks: Kage, Studio Gustavsberg; FARSTA

  Dia: 8″

  Originally a painter, Wilhelm Kåge was employed by Gustavsberg as an art director to rejuvenate the pottery´s production. He was faithful to the company for 32 years. In 1942 he started the legendary Gustavsberg Studio with the mission to create unique artistic pieces. His lively imagination brought forth a great variety of forms. Kåge was an artist of contradictions. In the 1940´s and 50´s he designed several geometrical, almost cubist, vessels in the “Surrea” series which stands in striking contrast to his soft formed, organic shaped tableware from the same period. Kåge designed more than 30 different dinner services, of particular importance was the inexpensive “workers” service, intended for a wider audience. Kåge´s pride, however, was the Farsta series of unique vessels made of heavy stoneware with carved surfaces and earth coloured decorative glazes. The clay for which was taken from the Farsta bay area very near the Gustavsberg pottery. He began experimenting with the Farsta line of studio ceramics already in the 1920´s. Art historians and collectors today consider the Farsta pieces the culmination of Wilhelm Kåge´s artistic production.