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  W.C. Handy, “Blues – An Anthology” 1926

  W.C. HANDY ed. (1973-1958) USA
  “Blues – An Anthology” 1926
  180pp. bound in blue cloth with original dust jacket. Very scarce work, considered the most famous blues collection in history, it includes historical notes, tunes and arrangements, notes for each song, a bibliography, and a chart of guitar chords.
  With an introduction and notes by Abbe Niles
  Illustrations by Miguel Covarrubias
  Published by Albert & Charles Boni, New York

  Dimensions:
  Book: H: 11 ¾” x W: 9 1/8” x D: 1”
  Custom leather box 2008: H: 13 13/16” x W: 10 3/8” x D: 2 7/16”
  Custom silk slipcase: H: 15” x W: 11 1/8” x D: 3 3/8”

  William Christopher Handy was a composer, musician and a music publisher. He was sometimes called the “Father of the Blues” and was credited with helping popularize blues music. Handy was a seminal figure in the development of American songwriting. His compositions assimilated folk tunes, blues, spirituals, minstrel songs, and elements of European music and forged a new sound in American popular commercial music. Born in Florence, Alabama, Handy began arranging music when in grade school. By the turn of the century, he had toured or was touring with a number of minstrel acts and bands. He became a leading bandleader in Memphis, Tennessee, and eventually wrote such classics as “The Memphis Blues” (1912), “The St. Louis Blues” (1914), and “Beale Street Blues” (1916). In addition to his songwriting, Handy also founded an important and influential music publishing concern, the Pace and Handy Music Company, in 1913. Finally, Handy’s books and writings, such as his autobiography, Father of the Blues (1941), and Blues: An Anthology (1926), comprise an important contribution to American culture. In 1979, New York City joined the list of institutions and municipalities to honor Handy by naming a stretch of West 52nd Street in Manhattan “W.C. Handy Place.”

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  Edmond Lachenal French Art Nouveau Green glazed pitcher / vase form c. 1900

  EDMOND LACHENAL (1855-1930) Paris, France

  Green glazed pitcher / vase form c. 1900

  Marks: E LACHENAL (impressed and glazed in a rectangle on base)

  For information on Edmond Lachenal see:”Edmond Lachenal”, Fritz Minkus, Kunst und Kunsthandwerk, IV (1901) pp.390-98; La Céramique Art Nouveau, Edgar Pelichet and Michèle Duperrex (Lausanne: Les Éditions du Grand-Pont, Switzerland, 1976) pp. 66,71,74,78,83,112,115; “l’Atelier Lachenal à la galerie Georges Petit “ in Les Echoes d’Art” (1933), p. Vll; Art Nouveau: Belgium & France, exh. cat. Yvonne Brunhammer et al. (Houston, TX: Institute for the the Arts, Rice University, 1976), p. 48; Le Japonisme (Paris: Éditions de la Réunion des Musées Nationaux, 1988) cat no. 377, p. 321; Japonisme: the Japanese influence on western art in the 19th and 20th Centuries, Siegfried Wichmann (Parklane: New York, 1980) pp. 339, 349; cat. no. 920.

  H: 9″ x W: 6 3/4″