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  Ancient ring in 22K gold set with an oval carnelian intaglio with an inscription, “In the name of God the most gracious and merciful.”, c. 200 A. D.

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  Details

  Pierre Boucher, Propeller, Gelatin silver print, 1935

  PIERRE BOUCHER (1908-2000) France

  Propeller  1935

  Signed: WB – 7252; Photo Pierre Boucher (ink stamp); DBoucher (ink signature)

  Provenance: Gene Prakapas Gallery, New York, 1978.

  H: 7 1/16” x W: 9 ¼” (unframed)

  H: 14 11/16” x 16 11/16” (framed)

  Pierre Boucher came to photography as a result of the Nouvelle Vision and he explored photography as an experiment on all levels, photograms, collages, solarization and superimposition. He had a natural curiosity and a cultivated and sporty demeanor that led him to produce work as diverse as surrealist nudes and well-constructed advertisements. Whether it be in documentary photography or industrial photography, Pierre Boucher always awakens an empathy and a feeling of closeness with his subjects in the spectator.

   Pierre Boucher got his start in advertising, taking his inspiration from the graphic techniques of the modernists in the field and contributing to the transformation of the advertising photo into a work of art. He used photomontage to make his work more striking and effective, making unnerving and astonishing.

  Boucher’s nudes, on the other hand, use no technical prowess whatsoever. After the war the movement for freedom of the body led him to reconsider social models. Pierre Boucher revisited the female and male nude from several angles. Around 1931, he did his first nude photos under the umbrella of the “ New Objectivity ” : the image was boxed, the frame strict, the bodies freed from their faces. From 1933 onwards his nudes became surrealist inspired by the work of Man Ray. He then moved on to neo-classical nudes. In studio or in natural light his Apollonian nude aimed above all for beauty and harmony.