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  Henri Lapparra Art Deco “Mikado” covered sugar bowl c. 1930

  Silver lidded bowl with ebony finial and rectangular ebony handles, decorated with enamel in fan shapped tiers of three shades of blue and black

  Marks: French Touchmarks (Head of Minerva) 2x, Lapparra diamond shape silver touch mark, Red Lacquer Cranbrook Museum Accession No. 1930.77

  Exhibited: Third International Exposition of Contemporary Industrial Arts, 1930-1931 The American Federation of Arts 1930-1931, The Museum of Fine Arts Boston, October 15 – November 10, 1930, The Metropolitan Museum of Art New York, December 1 – December 28, 1930, The Art Institute of Chicago, January 19 – February 15, 1931, The Cleveland Museum of Art Cleveland, March 11 – April 5, 1931; Art Deco, 1971 (Minneapolis: Minneapolis Institute of Arts)

  Model illustrated: Art Deco, A Guide for Collectors, Katherine Morrison McClinton (New York: Clarkson N. Potter, Inc., 1972) p. 162; Art Deco, Judith Applegate (New York: Finch College Museum of Art, 1970) illustr. 392; The Cranbrook Collections, Sotheby, Parke-Bernet, New York, 1972, illustr. 31, pp. 7 & 9, Third International Exposition of Contemporary Industrial Arts, 1930 (New York: Finch College Museum of Art) No. 392; Art Deco, 1971 (Minneapolis: Minneapolis Institute of Arts) No. 164; International Exhibition of Metalwork and Cotton Textiles exhibition catalogue (The American Federation of Arts, 1930) No. 169

  H: 4” x W: 4 ½” x D: 4”

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  Mellerio Paris Rare French Art Deco “Gyroscope” sterling cigarette box c.1930

  MELLERIO PARIS  Italy/ France

  Gyroscope cigarette box  c.1930

  French silver (950 silver standard) in a structural form of a gyroscope with a lever for an interior lifting mechanism, gilding

  Marks: Mellerio Paris, 3776 D, head of Minerva French guarantee mark for 950/1000

  H: 5 1/4″ x Dia: 4 1/4″

  The renowned Mellerio family and their jewelry can be traced back to Lombardy, Italy as early as the 16th century.  Some family members moved to Paris and became royal jewelers for Louis XIII.  The revolutions of 1789 and 1848 interrupted their business and they moved to Madrid where they became the jewelers favored by Queen Isabel II.  Later in the 19th century they returned to Paris where once again they prospered and participated in several international expositions including  London (1862), Paris (1867, 1878 and 1900), and Vienna (1873).  In the 20th century they exhibited at the renowned Paris 1925 Exposition des Arts Décoratifs in Paris and then in New York at the 1939 World’s Fair.