Product Description
Werner Mantz, Untitled, Silver gelatin print 1929

WERNER MANTZ (1901-1983) Germany
Untitled 1929 (vintage)
Silver gelatin print, patinated bronze frame
Signed: W. Mantz 1929 (in pencil on back)
Framed size: H: 8 ¾” x W: 11”
Price: $42,500
Werner Mantz is regarded as one of the most gifted architectural photographers of the twentieth century. His talent in this field we recognized early in his career and he received numerous commissions from a variety of prominent architects, first in Germany and later in the Netherlands. His work in Cologne especially, from the mid-1920s to the early 1930s, forms a definitive statement of the Neue Sachlichkeit movement in architecture.
Works by Werner Mantz can be found in the collections of the Metropolitan Museum of Art in New York, The Museum of Modern Art in New York, The Art Institute of Chicago, Tate London and many more.
Werner Mantz, Untitled, Silver gelatin print 1929
REINHOLD KLAUS (1881-1963) Vienna, Austria
CARL GEYLING ATELIER (founded 1841) Vienna, Austria
Man with tophat and flowers c. 1930
Window of stained and hand-painted leaded glass
Provenance: Estate of Carl Geyling (1814-1880), Vienna
H: 17 3/4″ x W: 14 1/2″
Reinhold Klaus studied from 1898-1902 with Alfred Roller at the Kaiserlich-Königliche Kunstgewerbeschule in Vienna. In 1914 Klaus married into the Carl Geyling family and became extensively involved with with stained glass painting. As early as 1918 Klaus worked on a stained glass window for the Siegestempel am Bisamberg in Vienna. In 1934 he became a professor of stained glass painting at the Kunstgewerbeschule, as well as creative director of the C. Geylings Erben glass painting company. Reinhold Klaus, a member of the Künstlerhaus since 1924 received many prizes and honors. He worked on commissions for the St. Veits cathedral in Prague, the St. Stephan cathedral in Vienna and many others.
ARRIGO VARETTONI DE MOLIN (1902-1985)
Passaic Rooftops 1932
Oil on canvas
Signed: A V de Molin ’32
Listed: Who’s Who in America, Series II, no. 11 (November 1, 1941) p. 6.
Exhibited: New Jersey State Annual, Montclair Art Museum, 1934
Canvas: H: 39” x W: 35”
HUBERT SCHMALIX (1952-) Austria
Mount Washington 2005/06
Oil on canvas
Signed and dated on back: Schmalix 05 06
Provenance: Hubert Schmalix Vienna
For related works by Hubert Schmalix see: Hubert Schmalix, Lóránd Hegyi exhibition catalog (Museum moderner Kunst Stiftung Ludwig Wien) November 19, 1994 – January 1995.
H: 69” x W: 51”
Hubert Schmalix was born in Graz, Austria, on December 17, 1952 and studied at the Vienna Art Academy from 1971 to 1976. By 1979 Schmalix was showing work at the forward-looking exhibition ‘Europa 79 – Kunst der 80er Jahre’ in Stuttgart. In 1983 the London Tate Gallery invited Schmalix to present work at ‘New Art’, an important survey of contemporary art. Schmalix has become well-known world-wide as an exponent of ‘New Art’, working with a retrospective glance at both classical art history and modern art. Schmalix focuses on the world of things and the human figure. Although the expressive gesture was the dominant feature of his 1980s work, it yielded early in the 1990s to stringent tectonic composition. In 1984 Hubert Schmalix went to the Philippines and on to the US, moving to Los Angeles in 1987. In 1986-87 Schmalix taught at the Academy for the Decorative and Applied Arts in Vienna and from 1997 he has been a professor at the Vienna Art Academy. Schmalix is a visiting professor at the University of California Los Angeles (UCLA). In 1993 his work was featured at the Venice Biennale and in 1998 he was awarded the Fine Art Prize of the City of Vienna. Schmalix has done several large fresco cycles in Salzburg and his work has been shown extensively at numerous international solo and group shows and most recently at Art Basel 2006.