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  Roycroft / American Arts & Crafts Pair of Candlesticks c. 1915

  ROYCROFT COPPER SHOP East Aurora, N.Y.

  Pair of candlesticks c. 1915.

  Hand wrought and textured copper, silver-plated.

  Marks: impressed R, in orb with cross, ROYCROFT

  For more information see: The American Arts & Crafts Movement in Western New York 1900-1928, Bruce A. Austin (Rochester Institute of Technology, 1992); Arts & Crafts Movement in New York State 1890’s – 1920’s, Coy Ludwig (Hamilton, N.Y.: Gallery Association of New York, 1983).

  H: 6″ x W: 6 7/8″ x D: 2 5/8″

   

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  Reinhold Klaus / Carl Geyling Atelier Vienna “Cubist Man with top hat and flowers” stained glass window c. 1930

  REINHOLD KLAUS (1881-1963) Vienna, Austria

  CARL GEYLING ATELIER (founded 1841) Vienna, Austria

  Man with tophat and flowers   c. 1930

  Window of stained and hand-painted leaded glass

  Provenance: Estate of Carl Geyling (1814-1880), Vienna

  H: 17 3/4″ x W: 14 1/2″

  Reinhold Klaus studied from 1898-1902 with Alfred Roller at the Kaiserlich-Königliche Kunstgewerbeschule in Vienna. In 1914 Klaus married into the Carl Geyling family and became extensively involved with with stained glass painting. As early as 1918 Klaus worked on a stained glass window for the Siegestempel am Bisamberg in Vienna. In 1934 he became a professor of stained glass painting at the Kunstgewerbeschule, as well as creative director of the C. Geylings Erben glass painting company. Reinhold Klaus, a member of the Künstlerhaus since 1924 received many prizes and honors. He worked on commissions for the St. Veits cathedral in Prague, the St. Stephan cathedral in Vienna and many others.

   

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  Peter Canty, “Pacific Cove”, Oil on canvas

  Peter Canty received his BA in art from the Chouniard Art Institute, Los Angeles (now California Institute of the Arts) and an MA from the University of California, Santa Cruz in 1969. Heavily influenced by the Post-Impressionist masters Van Gogh, Gauguin and Cezanne, in his own he words he describes his interest in landscapes, believing they are, “the best vehicle for motion, force, and color dynamics.” Although his work reference realistic subjects, Canty’s imagery is drawn strictly from his own imagination.

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  Sigi “Shell” earrings, sterling, signed c. 1950’s