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  Archibald Knox / Liberty & Co. Sterling hand mirror 1908

  ARCHIBALD KNOX (1864-1933) UK

  LIBERTY & CO. London, UK

  Hand mirror  1908

  Sterling with large matrix cabochon turquoise

  Marks: L & Co. cipher, Birmingham assay marks for 1908

  Similar works with turquoise Illustrated: Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) ; Liberty Design 1874-1914, Barbara Morris (London: Pyramid Books, 1989) p. ; The Designs of Archibald Knox for Liberty & Co., A.J. Tilbrook (London: Ornament Press Ltd., 1976)

  L: 11″

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  Details

  Arrigo Varettoni de Molin, “Passaic Rooftops”, Oil on canvas 1932

  ARRIGO VARETTONI DE MOLIN (1902-1985)

  Passaic Rooftops 1932

  Oil on canvas

  Signed: A V de Molin ’32

  Listed: Who’s Who in America, Series II, no. 11 (November 1, 1941) p. 6.

  Exhibited: New Jersey State Annual, Montclair Art Museum, 1934

  Canvas: H: 39” x W: 35”

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  Details

  Tim Liddy, Lie Cheat and Steal (1971) The Game of Political Power Oil and enamel on copper, plywood back 2006

  TIM LIDDY (b. 1963) Missouri

  “Lie Cheat and Steal” (1971) The Game of Political Power 2006

  Oil and enamel on copper, plywood back

  Signed in script: Tim Liddy “circa 1971” 2006, red circular ring

  Provenance: William Shearburn Gallery (St. Louis, MO)

  H: 12” x W: 9” x D: 2”

   

  With his recent paintings, Liddy has both reasserted the construct of hyperrealist painting and developed a thoroughly unique advancement of that mode by extending the cultural reality of the indexed original. Based on the illustrated box lids of vintage board games, Liddy has recontextualized a subject, which evokes the underlying rules of life. Painted on copper or steel in the precise dimensions of the original, the metal is then manipulated to demonstrate the exact rips and tears from years of usage and includes trompe-l’oeil renditions of the scotch tape that might be holding the cardboard box together, the assorted stains, or the various graffiti of time. Liddy leaves no possibility of ambivalence, these works speak to a concurrent understanding of their original object identity and to themselves as works of art engaged in historical and psychological dialogue.

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  Details

  Marcus & Co. Art Nouveau brooch, “Tibula” shaped 18k yellow gold brooch set with three natural pearls, the natural center button pearl approx. 10 mm in diameter (G.I.A. certificate, 3 natural freshwater pearls, weight 24.90 grams, measurement range from 5.46 to 12.26mm), 16 sugarloaf cabochon sapphires, the two large and high dome middle sapphires with a purple hue, 20 pave set round diamonds all surrounded with clear plique-a-jour further trapped with platinum flakes, signed c. 1897