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  Werner Rohde, Self-portrait, Silver gelatin print 1926

  WERNER ROHDE (1906-1990) Germany

  Self-portrait 1926

  Silver gelatin print, ebonized wood frame

  Signed: Werner Rohde 1926 (pencil signature and date on back on photo); inv. 3RMG 1081.27

  Photo: H: 6 13/16” x W: 4 15/16”
  Framed: H: 16 5/16” x W: 14 3/8”

  Price: $38,000

  Werner Rohde’s visual play with the animate and inanimate draws him close to the aesthetics of the surrealists while maintaining a strong alignment with Germany’s new-vision avant-garde. Rohde experimented widely with double exposures, photomontage, perspective and dramatic lighting that reflected his interest in filmic effects. The son of a glass painter (a medium he would turn to later in life), Rohde took up photography during his studies at the Arts and Craft School in Halle. Like Kesting, Willy Zielke and Kretschmer, he participated in the 1929 ‘Film und foto’ exhibition in Stuttgart that remains one of the historical focal points for Germany’s new photographic vision. Despite this early recognition of his work, Rohde fell into obscurity after the war until the rediscovery of his photographs in the mid 1970s.

  Rohde’s fascination with the play between life and lifeless, animate and inanimate, has strong reverberations with surrealism. Masks, mannequins and paper models were used in his photographs to illuminate the uncanny. They were also employed in his self-portraiture in which he mimicked his idol Charlie Chaplin. These techniques of visual illusion provided a mnemonic tool for the images of his wife in which she is posed and photographed to resemble a doll or mannequin. In the act of art imitating life, ‘Wachspuppenkopf’ is uncanny in its mimicry of the human form with realistic teeth, eyes, skin and even the unusual detail of small wrinkles under the eyes. The downward angle, lighting and odd doubling of the neckline utilizes standard surrealist methods to infer life and movement.

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  Karl Schmidt / Hagenauer Werkstätte Sterling nude sculpture c. 1965

  KARL SCHMIDT (b. 1948) Vienna
  HAGENAUER WERKSTÄTTE Vienna

  Sculpture  c. 1965

  Handwrought sterling silver repoussé in the form of a nude with blowing hair

  Marks: SCHMIDT WIEN   MADE IN AUSTRIA  925 (silver standard) KS (artist initials)

  For more information see: Metallkunst, Karl H. Bröhan (Berlin: Bröhan Museum, 1990) pp. 200-205; Werkstätte Hagenauer 1898-1956, (Vienna: Österreiches Museum für angewandte Kunst).

  H: 17 1/4″ x W: 12″ x  D: 2 3/4”

  Price: $17,500