Product Description
W.C. Handy, “Blues – An Anthology” 1926
W.C. HANDY ed. (1973-1958) USA
“Blues – An Anthology” 1926
180pp. bound in blue cloth with original dust jacket. Very scarce work, considered the most famous blues collection in history, it includes historical notes, tunes and arrangements, notes for each song, a bibliography, and a chart of guitar chords.
With an introduction and notes by Abbe Niles
Illustrations by Miguel Covarrubias
Published by Albert & Charles Boni, New York
Dimensions:
Book: H: 11 ¾” x W: 9 1/8” x D: 1”
Custom leather box 2008: H: 13 13/16” x W: 10 3/8” x D: 2 7/16”
Custom silk slipcase: H: 15” x W: 11 1/8” x D: 3 3/8”
William Christopher Handy was a composer, musician and a music publisher. He was sometimes called the “Father of the Blues” and was credited with helping popularize blues music. Handy was a seminal figure in the development of American songwriting. His compositions assimilated folk tunes, blues, spirituals, minstrel songs, and elements of European music and forged a new sound in American popular commercial music. Born in Florence, Alabama, Handy began arranging music when in grade school. By the turn of the century, he had toured or was touring with a number of minstrel acts and bands. He became a leading bandleader in Memphis, Tennessee, and eventually wrote such classics as “The Memphis Blues” (1912), “The St. Louis Blues” (1914), and “Beale Street Blues” (1916). In addition to his songwriting, Handy also founded an important and influential music publishing concern, the Pace and Handy Music Company, in 1913. Finally, Handy’s books and writings, such as his autobiography, Father of the Blues (1941), and Blues: An Anthology (1926), comprise an important contribution to American culture. In 1979, New York City joined the list of institutions and municipalities to honor Handy by naming a stretch of West 52nd Street in Manhattan “W.C. Handy Place.”
W.C. Handy, “Blues – An Anthology” 1926
SYDNEY PITCHER F.R.P.S. (d. 1950) England
ARTHUR H. PITCHER (Framer)
“St. Martin’s Cross Iona” c.1900
Carbon process photograph, hand carved oak frame with beautiful wood grain detail.
Marks: S MARTINS CROSS IONA (carved incised mark)
Art Nouveau paper label (on back): Framed by Arthur H. Pitcher, College Court, Gloucester, Moulding No…..
Photograph: H: 9 1/2″ x W: 5″
Frame: H: 16 3/4″ x W: 8 5/8″ D: 5/8″
Sydney A. Pitcher FRPS (active 1904-1939) was a photographer with an interest in monument and church architecture. He is listed in the 1927 Kelly’s Directory of the County of Gloucester as a commercial photographer, publisher and picture frame maker, operating from 5 & 7 College Court, Gloucester. Pitcher was involved primarily in the photography of Gloucestershire churches, but also took pictures of churches and cathedrals in neighbouring counties, and of medieval sculptures at Winchester College. He collaborated on the publication of Rushforth’s series of volumes The stained glass of Great Malvern Priory Church , Gloucester, 1916-1927.
He joined the Royal Photographic Society in 1904, was admitted as an Associate member in 1925, and became a Fellow in 1928.