Product Description
Wilhelm Wagenfeld for WMF, German Art Deco Crystal and Silver footed box c.1935
WILHELM WAGENFELD (1900-1990) Germany
WMF [Württembergische Metallwarenfabrik] Geislingen, Germany
Tazza c. 1935
Hexagonal green-tinted lead crystal covered dish / tazza with lid in a stepped jewel-like form mounted with a silver lid and footed base silver
Marks: WMF logo, moon, crown, 800
For more information see: Wilhelm Wagenfeld und die Moderne Glasindustrie,Walter Scheiffele (Stuttgart: Verlag Gerd Hatje, 1994); WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006).
H: 5 1/4″ x D: 7″ x W: 7″
Price: $3,500
Wilhelm Wagenfeld for WMF, German Art Deco Crystal and Silver footed box c.1935
ALLEN PORTER (b.1926) USA
Filmstrips 1947
Photogram vintage gelatin silver print
Size: (unframed): H: 11” x W: 14”
Size: (frame): H: 20” x W: 23”
After attending art programs at the Art Institute of Chicago and the Chicago Academy of Fine Arts, Porter enrolled at the ID upon his return from military service in WWII. His course of study included graphic design and photography. His photograms were produced while working with famed ID photography instructors Frank Levstik and Ferenc Berko. Shortly after leaving the ID in 1949, Porter established a design office in Los Angeles during the height of the California modern design movement. He incorporated his innovative light work into design projects for important clients like Gruen Lighting and Carroll Sagar & Associates.
SUOMEN KULTASEPPÄ OY Turku, Finland
(FINNISH GOLDSMITH COMPANY, LTD.)
Silver bowl 1925
Hand wrought and repoussé silver with an overall scrolling leaf, blossom and vine motif, applied stylized open work silver handles
Marks: “TILL AIS och NILS WENER 19 [28-30/ IV] 26 ADI och ALLAN RÖNEHOLM,” maker’s mark (hammer with wings), government control mark (crown), 813 H (silver standard) U5 AT (date mark), city mark for Turku
H: 7 1/4″ x W: 13 1/2”
This Art Deco Finnish silver centerpiece was presented as a gift from Adi and Allan Röneholm to Ais and Nils Wener in 1926. By repute this piece was shown the year prior at the Paris 1925 exhibition.