Willem Brouwer Dutch Art Nouveau / Arts & Crafts Pottery Vase c. 1905 More Information
Willem Brouwer Dutch Art Nouveau / Arts & Crafts Pottery Vase c. 1905
WILLEM COENRAAD BROUWER (1877-1933) The Netherlands
POTTERIJ VREDELUST Leiderdorp, The Netherlands
Vase with handles c. 1905
Brown glazed red clay with tan light brown cut out overlaid and sgraffito decoration in a stylized organic motif, two applied looping handles
Marks: Brouwer 139 (incised)
For similar work see: Dutch Decorative Arts 1880-1940, eds. Titus M. Eliëns, Marjan Groot, Frans Leidelmeijer (New York: Battledore Ltd.,1997),p. 56; Leven in een verzameling: Toegepaste kunst 1890-1940 uit de collectie Meentwijck (Laren: Singer Museum, 2000), illus. 76, 77, p. 74.
For more information on Brouwer see: Art Nouveau en Art Deco in Nederland: verzamelobjecten uit de vernieuwingen in de kunstnijverheid van 1890 tot 1940, Frans Leidelmeijer and Daan van der Cingel (city unknown: Meulenhoff/ Landshoff, 1983), pp. 80-82.
Christofle / Luc Lanel French Art Deco Dinanderie Vase c.1930
LUC LANEL (1893-1965) France
ORFÈVRERIE CHRISTOFLE Paris
Ovoid form with a foot and flared lip design with a polished copper body with an overall stepped rectangular and square motif geometric design
Marks: CHRISTOFLE (large script with wave lines below), B 173, G
For more information see: Mobilier et Décoration d’Interieur ( 1924-25), p. 10; Les Arts Décoratifs Modernes (France), Gaston Quènioux (Paris: Librairie Larousse, 1925), p. 176; 150 Ans d’Ofèvrerie Christofle, Henri Bouilhet ([Paris]: Chêne/Hachette: 1981), pp. 241 and 230.
Archibald Knox / Liberty & Co. Tudric charger / tray c. 1902-05
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Tudric charger c. 1902-05
Pewter with abstract Celtic design in bas-relief
Marks: TUDRIC, 0163, Made in England
Illustrated: Archibald Knox, ed. Stephen A. Martin (London: Artmedia Press, 2001) p 203
Drawing illustrated: Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) p 137;
D: 9 9/10”
This British avant-garde charger demonstrates the profound influence of Celtic ornament upon Knox and his highly individual and sophisticated use of these ancient graphic devices of interlocking loops and tendrils.
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