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  Charles Catteau / Boch Freres Keramis Belgium Glazed pottery vase c. 1930

  CHARLES CATTEAU (1880-1966)
  BOCH FRERES KERAMIS  La Louviere Belgium

  Tulip vase c. 1930

  Glazed earthenware

  Marks: “Keramis” Made in Belgium , D. 2524 B, 945

  H: 10 1/4″ x D: 6 1/2″

  Charles Catteau could be regarded as one of the most versatile ceramic artists of his generation, especially for the style of Art Deco. Catteau advanced the forms, techniques and decoration of modern ceramics, creating an exceptionally original, new and decorative genre.

  Hired as a ceramic decorator in Ecole Nationale de Sèvres from 1903 to 1904, he began producing designs that were rather traditional, based on the observation of nature, and showing the influence of Japonisme, characterized by pure lines and meticulous details. From 1904 to 1906, he worked in Nymphenburg Porzellan Manufaktur near Munich, a factory specializing in new hand painting procedures under a slip, as well as Art Nouveau.

  In 1907  he finally moved to Louvière in Belgium where he was promoted to head of the decoration department at Boch Freres Keramis at the age of 27.  This is where most of his exceptional talent came to the fore especially during the period between the two World Wars. Influenced by the great creative art movements of the time (Africanism, Japonisme, Cubism, Abstraction) and his observation of nature gave him inspiration for his designs, with the  integration of  plants, stylized animals and geometric motifs. The international avant-garde movements were also an influence leading to his use of purely abstract, geometric designs and intense colors. Charles Catteau was incredibly resourceful and  explored various harmonies of form, techniques, designs, colors, shades, topics, variants and influences. In this way Catteau became a representative par excellence of Art Deco designs, giving it his personal touch. He was instrumental in introducing technical innovations during the 20’s and 30’s to aid mass production of ceramic products and expand availability of affordable products. During difficult times in Europe, he created vivid, colorful, original and uplifting ceramic wares.

  Charles Cotteau motto was “Art for All” and he also taught decorative painting at the School of Industrial in Louvière. In 1925 he obtained international recognition in the exhibition of Decorative Arts in Paris. which helped raise the profile of Boch Freres. He remained at the company until he retired to Nice in 1946 .

   

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  Archibald Knox / Liberty & Co. Tri-footed pewter vase with blue enamel c. 1902-05

  ARCHIBALD KNOX (1864-1933)   UK

  LIBERTY & CO. London

  Tri-footed vase   c.1902-05

  Pewter with blue enamel

  Marks: Liberty & Co., ENGLISH PEWTER, 0927

  Model illustrated: Liberty’s 1875-1975, An Exhibition to mark the Firm’s Centenary (London: Victoria & Albert Museum, 1975) p. 76; The Liberty Style, introduction by Victor Arwas (NY: Rizzoli, 1979) cat. no. 36

  H: 11 3/4”

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  Christopher Dresser / Minton Aesthetic Movement Cloisonné Vase 1867

  CHRISTOPHER DRESSER (1834-1904) UK
  MINTON, Stoke-on-Trent, England

  “Cloisonné” vase 1867

  Glazed porcelain with polychrome enamel decoration and gilding

  Marks: MINTON, date cipher for 1867

  Illustration: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhibition catalogue, Historical Design, Inc. (New York, 1998) p. 78.

  H: 9 7/8”

   

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  WMF Ikora Germany Art Deco Dinanderie Vase c. 1930

  WMF  (Württembergische Metallwarenfabrik)  Geislingen, Germany

  Dinanderie vase  c. 1930

  Silver-plated copper with with red patinated squares and rectangles on a black-patinated textured background

  Marks: WMF castle mark, IKORA

  Illustrated: WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006), p. 142, 90/585.

  For more information see: WMF Glas Keramik Metall 1925-1950,  Jörg Schwandt, (Berlin: Kunstgewerbemuseum, Staatliche Museum  Preussischer Kulturbesitz, 1981). Metallkunst, Band IV (Berlin: Bröhan-Museum, 1981) pp. 546-579.

  H: 3″ x Dia: 4″

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