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  Charles Catteau / Boch Freres Keramis Belgium Glazed pottery vase c. 1930

  CHARLES CATTEAU (1880-1966)
  BOCH FRERES KERAMIS  La Louviere Belgium

  Tulip vase c. 1930

  Glazed earthenware

  Marks: “Keramis” Made in Belgium , D. 2524 B, 945

  H: 10 1/4″ x D: 6 1/2″

  Charles Catteau could be regarded as one of the most versatile ceramic artists of his generation, especially for the style of Art Deco. Catteau advanced the forms, techniques and decoration of modern ceramics, creating an exceptionally original, new and decorative genre.

  Hired as a ceramic decorator in Ecole Nationale de Sèvres from 1903 to 1904, he began producing designs that were rather traditional, based on the observation of nature, and showing the influence of Japonisme, characterized by pure lines and meticulous details. From 1904 to 1906, he worked in Nymphenburg Porzellan Manufaktur near Munich, a factory specializing in new hand painting procedures under a slip, as well as Art Nouveau.

  In 1907  he finally moved to Louvière in Belgium where he was promoted to head of the decoration department at Boch Freres Keramis at the age of 27.  This is where most of his exceptional talent came to the fore especially during the period between the two World Wars. Influenced by the great creative art movements of the time (Africanism, Japonisme, Cubism, Abstraction) and his observation of nature gave him inspiration for his designs, with the  integration of  plants, stylized animals and geometric motifs. The international avant-garde movements were also an influence leading to his use of purely abstract, geometric designs and intense colors. Charles Catteau was incredibly resourceful and  explored various harmonies of form, techniques, designs, colors, shades, topics, variants and influences. In this way Catteau became a representative par excellence of Art Deco designs, giving it his personal touch. He was instrumental in introducing technical innovations during the 20’s and 30’s to aid mass production of ceramic products and expand availability of affordable products. During difficult times in Europe, he created vivid, colorful, original and uplifting ceramic wares.

  Charles Cotteau motto was “Art for All” and he also taught decorative painting at the School of Industrial in Louvière. In 1925 he obtained international recognition in the exhibition of Decorative Arts in Paris. which helped raise the profile of Boch Freres. He remained at the company until he retired to Nice in 1946 .

   

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  Christopher Dresser / James Couper & Sons Blown glass cabinet vase c. 1890

  CHRISTOPHER DRESSER (1834-1904) UK

  JAMES COUPER & SONS Glasgow, Scotland

  “Clutha” vase c. 1890

  Blown glass with a strawberry red and green swirl design and internal bubbles

  Marks: CLUTHA DESIGNED BY CD REGISTERED (acid etched)

  Illustrated: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998) p. 72/73

  H: 3 1/4″

   

   

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  Gustavo Perez, Mexican Contemporary Pottery, Ceramic vase 2000

  GUSTAVO PEREZ Mexico

  Stoneware vase 2000

  Black, randomly positioned rectangles on a cream / sandy base with a pinned overlap detail

  Signed: GP 2000-68

  H: 9 1/4″ x D: 6 1/2″

  Price: $5,500

  Gustavo Pérez makes vessels that are simple, smooth and symmetrical. Their elegance is due to the precision of the incised lines and other markings on the pots. While using the same clay body—sand colored stoneware—throughout his work, the artist achieves a wide range of form and pattern and includes slowly undulating walls beneath the subtly incised surfaces.

  Gustavo Pérez works are incessantly experimental. There have been parallel lines, calligraphic traces, geometric cuts into the surface, minimalist vessels, recollections of pre-Hispanic vases and references to other ancient cultures.

  The ceramics of Gustavo Pérez are distinguished by eliminating superfluous details, by synthesis of his elements. During the past two decades he has created a visual language that seems closely aligned with music. Pure in form, with a significant structure, completely abstract and without specific associations, his language of line, the bending of forms, and the definition of the vessel mark his work as a distinctive voice. The form is not just a container or a receptacle; it is architecture.

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  Tsuchida Yasuhiko, Art Glass Mosaic Vase 1999

  Tsuchida Yasuhiko  (b. 1969) Osaka, Japan/ Italy

  Art glass mosaic technique vase   1999

  Overall matte finish art glass vase with an elaborate mosaic technique inset with red rectangular patchwork sections and blue murrina jewels all on a chocolate brown body with a black glass foot

  Marks: Tsuchida Yasuhiko 99, 77

  For more information see: Tsuchida Yasuhiko, exh. cat., Franco Schiavon (Murano, Italy: Palazzo del Vetro, 2000).

  Provenance: Pauly & Co. Venice

  H: 4 3/4″ x Dia: 5 1/8″

  Price: $5,450

  Yasuhiko Tsuchida was born in Osaka, Japan in 1969. In 1988, soon after graduating TSUJI Culinary Institute, he left Japan to explore food and art in Paris. Since 1992, he has lived in Venice, Italy. Tsuchida has been making glass work in Murano Island since 1995, and next year assumed the office of art director at Schiavone Glass Co. Ltd. In 1996 he presented a glass sculpture entitled “Bamboo Collection”
  with Japanese motif of bamboo. The work was highly acclaimed, which gave him a chance to start to hold solo exhibitions around the world. In 2000, Tsuchida became a member of the board of directors at Venetian Glass Institute, and a chief director there in 2003. In 2004, he won Honorary Technique Prize in Düsseldorf, Germany, and in 2008, received Award of Contribution to Cultural
  Promotion from Grosseto city, Toscana. In the same year, he
  represented Japan at International Open Exhibition of Sculpture, and won the Grand-Prix. In 2010, Tsuchida was invited to the Issei Miyake “IM10” Project Competition, and held a solo exhibition at Lorusso Gallery, Andria, Italy. Tsuchida continues to exhibit in many solo shows around the world.