Product Description
Georges Serré, Warm ivory /sand colored glazed stoneware vase c. 1925

GEORGES SERRÉ (1889-1956) France
Vase c. 1925
Warm ivory /sand colored glazed stoneware with hand incised stylized leaf and floral motif with a top collar and lower half in a softened geometric repeat pattern all in a light brown tonality.
Marks: G Serre (hand incised signature)
For more information see: La Céramique Art Déco, Edgar Pelichet (Paris: Bibliothèque des Arts, 1988), p. 47.
For more information on Serré see: Georges Serré, exhib. cat. (Paris: Galerie Landrot, 1992).
H: 11″ x Dia: 10″
Georges Serré, Warm ivory /sand colored glazed stoneware vase c. 1925
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OLIVIER DE SORRA
SOCIETE FAIENCIERE HERALDIQUE DE PIERREFONDS
Six-branch vase c. 1900
Copper color glaze with blue oxide flower crystallization
H: 11″ x Dia: 9″
Price: $7,250
The Societe Faienciere Heraldique de Pierrefonds pottery studio was founded in the village of Pierrefonds in 1903 by Count Hallez d’Arros and is renowned for it’s crystalline and flambe glazes
GUSTAVO PEREZ Mexico
Stoneware vase 2000
Black, randomly positioned rectangles on a cream / sandy base with a pinned overlap detail
Signed: GP 2000-68
H: 9 1/4″ x D: 6 1/2″
Price: $5,500
Gustavo Pérez makes vessels that are simple, smooth and symmetrical. Their elegance is due to the precision of the incised lines and other markings on the pots. While using the same clay body—sand colored stoneware—throughout his work, the artist achieves a wide range of form and pattern and includes slowly undulating walls beneath the subtly incised surfaces.
Gustavo Pérez works are incessantly experimental. There have been parallel lines, calligraphic traces, geometric cuts into the surface, minimalist vessels, recollections of pre-Hispanic vases and references to other ancient cultures.
The ceramics of Gustavo Pérez are distinguished by eliminating superfluous details, by synthesis of his elements. During the past two decades he has created a visual language that seems closely aligned with music. Pure in form, with a significant structure, completely abstract and without specific associations, his language of line, the bending of forms, and the definition of the vessel mark his work as a distinctive voice. The form is not just a container or a receptacle; it is architecture.
Tsuchida Yasuhiko (b. 1969) Osaka, Japan/ Italy
Art glass mosaic technique vase 1999
Overall matte finish art glass vase with an elaborate mosaic technique inset with red rectangular patchwork sections and blue murrina jewels all on a chocolate brown body with a black glass foot
Marks: Tsuchida Yasuhiko 99, 77
For more information see: Tsuchida Yasuhiko, exh. cat., Franco Schiavon (Murano, Italy: Palazzo del Vetro, 2000).
Provenance: Pauly & Co. Venice
H: 4 3/4″ x Dia: 5 1/8″
Price: $5,450
Yasuhiko Tsuchida was born in Osaka, Japan in 1969. In 1988, soon after graduating TSUJI Culinary Institute, he left Japan to explore food and art in Paris. Since 1992, he has lived in Venice, Italy. Tsuchida has been making glass work in Murano Island since 1995, and next year assumed the office of art director at Schiavone Glass Co. Ltd. In 1996 he presented a glass sculpture entitled “Bamboo Collection”
with Japanese motif of bamboo. The work was highly acclaimed, which gave him a chance to start to hold solo exhibitions around the world. In 2000, Tsuchida became a member of the board of directors at Venetian Glass Institute, and a chief director there in 2003. In 2004, he won Honorary Technique Prize in Düsseldorf, Germany, and in 2008, received Award of Contribution to Cultural
Promotion from Grosseto city, Toscana. In the same year, he
represented Japan at International Open Exhibition of Sculpture, and won the Grand-Prix. In 2010, Tsuchida was invited to the Issei Miyake “IM10” Project Competition, and held a solo exhibition at Lorusso Gallery, Andria, Italy. Tsuchida continues to exhibit in many solo shows around the world.
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Tri-footed vase c.1902-05
Pewter with blue enamel
Marks: Liberty & Co., ENGLISH PEWTER, 0927
Model illustrated: Liberty’s 1875-1975, An Exhibition to mark the Firm’s Centenary (London: Victoria & Albert Museum, 1975) p. 76; The Liberty Style, introduction by Victor Arwas (NY: Rizzoli, 1979) cat. no. 36
H: 11 3/4”
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