Product Description
Tommi Parzinger, Sterling covered pedestal cigarette box with neoclassical motifs c. 1938

TOMMI PARZINGER (1903-1981) Germany/USA
PETER ALBERT REIMES Silversmith (1900-1945) Germany / USA
Sterling covered pedestal cigarette box with neoclassical motifs c. 1938
Tommi Parzinger, Sterling covered pedestal cigarette box with neoclassical motifs c. 1938
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ANDRÉ ARBUS (attr.) (1903-1969) France
Straw marquetry box c. 1940
Natural gold and ebony stained straw inlaid in a design of a window pane diamond pattern on the hinged lid, original suede cloth/paper interior, wood frame
For more information see: André Arbus: architecture-décorateur des années 40, Yvonne Brunhammer (Paris: l’Editions NORMA, 1996).
W: 8″ x D: 5 1/2″ x H: 1 1/2″
HAYNO FOCKEN (1905-1968) Germany
Round covered box c. 1935
Hand-wrought and hand-hammered copper with brass details
Marks under the foot: HF (conjoined monogram)
For other works by Hayno Focken see: Metallkunst: Vom Jugendstil zur Moderne (1889-1939), ed. Karl H. Bröhan (Berlin: Bröhan Museum, 1990), illus. 177, p. 183; Avantgarde Design 1880=1930,Torsten Bröhan & Thomas Berg (Köln, Benedict Taschen, 1994) p. 116; , (Berlin 1937) S. 43f, Abb. 37, Abb. S 128, S 146, Sl 243; Die Schaulade 15 Ausg. A (1939) Abb. S. 197, S. 204, S. 213; Die Schaulade 16 Ausg. A (1940) Abb. S. 44, S. 51., S. 54, S. 71, S. 83. S. 89; Die Kunst 84 (1941) S. 136, S. 139-39; Die Schaulade 17 (1941) Abb. S. 13, S. 41, S. 82, S. 229;
H: 4 ¼” x Dia: 4 7/8”
Hayno Focken (1905-1968) was an eminent German metal artist. He completed his training under Professor Karl Müller (1888-1972) at the design and arts school on Giebichenstein Castle in Halle (Saale), which was strongly tied to the ideals of the Deutsche Werkbund and the Bauhaus. In 1932 he established his own workshop in Lahr/Schwarzwald and continued his work until shortly before his death. His artistic work always stood out with a strong preference for large, organic forms, a similar manner of surface design and the same adherence to the principle of handicraft. Even his artist signet was modelled on the simple, square castle mark. In the 1950s he became one of those significant artists who had a major impact on contemporary metal design. The foundation of his creative work was a masterful understanding of proportions.
TOMMI PARZINGER (1903-1981) Germany/USA
PETER REIMES Silversmith
Sterling double inverted flared cylindrical cocktail shaker with swirling line motif c. 1940
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