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  Jean Serriere Rare French Art Deco Dinanderie Bowl c. 1925

  Jean Serrrière (1893-1968) France
  A. Hebrard (closed 1937) Paris

  Footed dinanderie bowl, circa 1925

  Hand wrought copper with silver incrustations in a repeating triangular motif and contrasting black patination on a rich brown ground.

  Marks: JS (artists monogram) A. Hebrard, Paris

  For more information see: Art et Décoration Revue Mensuelle D’Art Moderne, Tome XLVII. (Paris: Librairie Centrale Des Beaux-Arts) p.217; Silver of a New Era: International Highlights of Precious Metalwork from 1880 to 1940, (Rotterdam: Museum Boymans van-Beuningen, 1992) p.68, cat.no. 61; La Dinanderie Française 1900-1950, Dominique Forest and Marie-Cécile Forest (Paris: Les Éditions de l’Amateur, 1995) p.231-233.

  H: 4″ x Dia: 6″

   

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  Whiting American Sterling Koi Theme “Japonisme” Serving Bowl and Servers c.1880

  WHITING MANUFACTURING CO.  North Attleboro, MA

  “Koi” serving bowl with matching servers   c. 1880

  Sterling silver serving bowl and matching servers with applications of Koi fish behind nets, gilt interior

  Marks: on base: lion with W in oval (manufacturer’s insignia), STERLING, 2124A, J.E. CALDWELL & CO. (retailer)

  H: 4 3/8″ x Dia: 9 3/4″

  In 1840 Albert Tifft and William Whiting started their business in North Attleboro, MA  as a jewelry manufacturing company and then in 1866 created the Whiting Mfg. Co. and expanded production into small holloware as well. The Gorham Company bought Whiting in 1926 and all operations were then moved to Providence, R.I.

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  Wilhelm Kage / Gustavsberg “Nude” Farsta Studio Bowl c. 1940

  WILHELM KÅGE (1889-1960) Sweden

  GUSTAVSBERG Gustavsberg, Sweden

  “Nude” Farsta bowl c. 1940

  Glazed stoneware with hand inscribed sgraffito decoration of a nude

  Marks: Kage, Studio Gustavsberg; FARSTA

  Dia: 8″

  Originally a painter, Wilhelm Kåge was employed by Gustavsberg as an art director to rejuvenate the pottery´s production. He was faithful to the company for 32 years. In 1942 he started the legendary Gustavsberg Studio with the mission to create unique artistic pieces. His lively imagination brought forth a great variety of forms. Kåge was an artist of contradictions. In the 1940´s and 50´s he designed several geometrical, almost cubist, vessels in the “Surrea” series which stands in striking contrast to his soft formed, organic shaped tableware from the same period. Kåge designed more than 30 different dinner services, of particular importance was the inexpensive “workers” service, intended for a wider audience. Kåge´s pride, however, was the Farsta series of unique vessels made of heavy stoneware with carved surfaces and earth coloured decorative glazes. The clay for which was taken from the Farsta bay area very near the Gustavsberg pottery. He began experimenting with the Farsta line of studio ceramics already in the 1920´s. Art historians and collectors today consider the Farsta pieces the culmination of Wilhelm Kåge´s artistic production.
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  Louis Bogtman / Amsterdam School wood bowl with “batik” hand painted decoration, artist monogram, c. 1925