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  Julius Dressler / Art Pottery Black and White Footed bowl c. 1910

  JULIUS DRESSLER Biela, Czech Republic

  JULIUS DRESSLER BIELA (1888-1945) Czech Republic

  Bowl 1910

  Black and white glazed earthenware with three ball feet

  Marks: JDB, 7764 (underglaze)

  H: 4 7/8” x D base: 10 7/8”

  Price: $3,750

  Julius Dressler was a noted Bohemian ceramics manufacturing company that operated from the late 19th century until the end of World War II. Founded by Julius Dressler in the 1880s in Biela, Bohemia, the company produced high-quality decorative faience, Maiolica and porcelain ware. Dressler gained international renown for the ceramics it produced in the early 1900s in the Art Nouveau style, also known as “Jugendstil” or “Secessionist” ware.

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  Bauhaus / Thonet / Modernist Art Deco Nesting Tables, c. 1930

  BAUHAUS Germany (1919-1933).
  Gebrüder Thonet, Vienna.

  Nesting tables, circa 1930.

  Tubular chrome base with exotic wood and burl, glass inset half tops.

  For more information see: Deutsche Stahlrohr Möbel, Alexander von Vegesack (München: Bangert Verlag, 1986), Bauhaus Furniture: A Legend Reviewed, exhibit. cat., Bauhaus-Archiv Museum für Gestaltung, Berlin, 2002.

  Smaller table: 22″ H x 17″ D x 26 1/4″ W.
  Larger table: 24 1/2″ H x 17 1/2″ D x 29 3/4″ W.

  Price: $11,750

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  Important Monoche / Mono “Feast” bowl / basket c. 1910

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  Wilhelm Kage / Gustavsberg “Nude” Farsta Studio Bowl c. 1940

  WILHELM KÅGE (1889-1960) Sweden

  GUSTAVSBERG Gustavsberg, Sweden

  “Nude” Farsta bowl c. 1940

  Glazed stoneware with hand inscribed sgraffito decoration of a nude

  Marks: Kage, Studio Gustavsberg; FARSTA

  Dia: 8″

  Originally a painter, Wilhelm Kåge was employed by Gustavsberg as an art director to rejuvenate the pottery´s production. He was faithful to the company for 32 years. In 1942 he started the legendary Gustavsberg Studio with the mission to create unique artistic pieces. His lively imagination brought forth a great variety of forms. Kåge was an artist of contradictions. In the 1940´s and 50´s he designed several geometrical, almost cubist, vessels in the “Surrea” series which stands in striking contrast to his soft formed, organic shaped tableware from the same period. Kåge designed more than 30 different dinner services, of particular importance was the inexpensive “workers” service, intended for a wider audience. Kåge´s pride, however, was the Farsta series of unique vessels made of heavy stoneware with carved surfaces and earth coloured decorative glazes. The clay for which was taken from the Farsta bay area very near the Gustavsberg pottery. He began experimenting with the Farsta line of studio ceramics already in the 1920´s. Art historians and collectors today consider the Farsta pieces the culmination of Wilhelm Kåge´s artistic production.