Liberty & Co. / Leonard Wyburd Egyptian Revival Four-Legged Oak Thebes Stool c. 1890-1895
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Liberty & Co. / Leonard Wyburd Egyptian Revival Four-Legged Oak Thebes Stool c. 1890-1895
Leonard Wyburd UK
Liberty & Company London
Four-legged Thebes stool circa 1890-95. Oak with highly figured grain, concave slat seat, turned details.
Marks: 4 (impressed on underside)
This design was registered by Liberty & Co. in 1884.
Related Liberty & Co. stools illustrated: Liberty’s 1875-1975 : An Exhibition to Mark the Firm’s Centenary (London: Victoria & Albert Museum, 1975) p. 35, illustr. C1, Liberty Design, 1874-1914 , Barbara Morris (London: Octopus Publishing Group:, 1989) p. 103; Egyptomania: Egypt in Western Art, 1730-1930 (Paris: Éditions de la Réunion des Musées Nationaux and Ottawa: National Gallery of Canada, 1994), pp. 465-66.
H: 15″ x D: 17″ x W: 17″
One of the driving influences of the Aesthetic Movement of the late 19th century was an informed interest in authentic ancient designs inspired by recent archaeological discoveries. Both the three and four-legged Thebes stool were inspired by actual furniture and wall paintings unearthed from royal tombs in the ancient Egyptian city for which they are named. Leonard Wyburd, who was one of the principal designers for Liberty, patented his designs for the Thebes stools in 1884. Liberty & Co. continued to make the popular stools into the early 1900’s.
Archibald Knox / Liberty & Co. Sterling hand mirror 1908
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London, UK
Hand mirror 1908
Sterling with large matrix cabochon turquoise
Marks: L & Co. cipher, Birmingham assay marks for 1908
Similar works with turquoise Illustrated: Archibald Knox, ed. by Stephen A. Martin (London: Academy Editions, 1995) ; Liberty Design 1874-1914, Barbara Morris (London: Pyramid Books, 1989) p. ; The Designs of Archibald Knox for Liberty & Co., A.J. Tilbrook (London: Ornament Press Ltd., 1976)
György Kepes, Abstraction, Gelatin silver print, 1942
GYÖRGY KEPES (1906-2001) Hungary/USA
Abstraction 1942
Silver gelatin print
Signed: 9 (in a circle, on back); Gyorgy Kepes 1942 (in ink on back)
György Kepes was a Hungarian-born painter, designer, educator and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. In 1947 He founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974.
Peter Canty received his BA in art from the Chouniard Art Institute, Los Angeles (now California Institute of the Arts) and an MA from the University of California, Santa Cruz in 1969. Heavily influenced by the Post-Impressionist masters Van Gogh, Gauguin and Cezanne, in his own he words he describes his interest in landscapes, believing they are, “the best vehicle for motion, force, and color dynamics.” Although his work reference realistic subjects, Canty’s imagery is drawn strictly from his own imagination.
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