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  Alexandre Noll rare and early Art Deco mahogany and glass box c. 1930

  ALEXANDRE NOLL (1890-1970) France

  Covered box c. 1930

  Mahogany with ebony peg details and 1 ¼ inch thick Saint-Gobain glass.

  Marks: ANoll

  Provenance: Private Collection New York, Galerie de Beyrie Paris, Odile Noll (A. Noll’s daughter), Alexandre Noll Estate
  For more information see: Alexandre Noll, Olivier Jean-Elie, Pierre Passebon (Paris:Edition du Regard, 1999); Alexandre Noll: Les Matres de L’ Art Decoratif Contemporain, Collection dirigée par R. Moutard-Uldry edited by (Geneve: Pierre Cailler, 1954); Le Mobilier du Xxe Siécle: Dictionnaire des
  Créateurs, Pierre Kjellberg (Paris: Les Éditons de l’Amateur, 1994) p. 455-456.

  H: 2 1/2″ x D: 5 3/8″ x W: 8″

   

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  Details

  Belgian Art Deco rug c. 1930

  BELGIAN ART DECO

  Carpet c. 1930

  Hand woven wool cut pile formed with “Spanish” knots, cotton

  Grey, cranberry, and two shades of pink

  66 ½” x 35 ¼”

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  Details

  Andre Arbus (attr.) French Art Deco Straw Marquetry Box c. 1940

  ANDRÉ ARBUS (attr.) (1903-1969) France

  Straw marquetry box   c. 1940

  Natural gold and ebony stained straw inlaid in a design of a window pane diamond pattern on the hinged lid, original suede cloth/paper interior, wood frame

  For more information see: André Arbus: architecture-décorateur des années 40, Yvonne Brunhammer (Paris: l’Editions NORMA, 1996).

  W: 8″ x D: 5 1/2″ x H: 1 1/2″

   

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  Details

  Mellerio Paris Rare French Art Deco “Gyroscope” sterling cigarette box c.1930

  MELLERIO PARIS  Italy/ France

  Gyroscope cigarette box  c.1930

  French silver (950 silver standard) in a structural form of a gyroscope with a lever for an interior lifting mechanism, gilding

  Marks: Mellerio Paris, 3776 D, head of Minerva French guarantee mark for 950/1000

  H: 5 1/4″ x Dia: 4 1/4″

  The renowned Mellerio family and their jewelry can be traced back to Lombardy, Italy as early as the 16th century.  Some family members moved to Paris and became royal jewelers for Louis XIII.  The revolutions of 1789 and 1848 interrupted their business and they moved to Madrid where they became the jewelers favored by Queen Isabel II.  Later in the 19th century they returned to Paris where once again they prospered and participated in several international expositions including  London (1862), Paris (1867, 1878 and 1900), and Vienna (1873).  In the 20th century they exhibited at the renowned Paris 1925 Exposition des Arts Décoratifs in Paris and then in New York at the 1939 World’s Fair.