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  Details

  Asprey & Co., Important Cardinal Sculpture gem set with natural rubies, 18K gold and amethyst quartz, signed,1980

  ASPREY & CO. LTD. (founded 1781) London, UK

  Important Natural Ruby Gem Set 18K Gold Cardinal Bird Sculpture   1980

  Finely chased and chiseled 18K yellow and white gold realistically rendered sculpture of a Cardinal bird set with
  85+ carats (approx.) of natural gem quality oval and round cut Burmese rubies (GIA certificate) further heightened with enamel eyes and blackened gold face plumage details, the 18K gold and natural ruby cardinal sets atop a natural Amethyst crystal “mountain rock” with a tooled and gilt (script mark) on the leather under-pad.

  Marks: A & Co. (in a quatrefoil), Crown mark, 750 (gold standard mark) Lion’s head (London assay mark) “F” date mark for 1980, tooled and gilt Asprey (script mark) on the leather under-pad

  Provenance: Privately commissioned by the Sultan of Brunei’s younger brother, Prince Jefri Bolkiah who also later became the owner of Asprey & Co in the 1995. This rare sculptural 18K gold and natural ruby Cardinal was handmade by the finest jewelers and work masters in the workshop of the London Asprey & Co. located above the flagship store at 167 New Bond Street.

  H: 3 ¾” x L: 5 3/4” x W: 1 ½”(Cardinal only)
  H: 6” x W: 6 ¾” x D: 5 ¾” (with Cardinal atop natural Amethyst crystal rock)

  As one might guess, a large part of the animal symbolism of the cardinal comes from the brilliant red color of the males. In fact, its name is derived from the royal red vestments worn by Catholic cardinals. This shock of red, especially against the stark backdrop of winter snow, is a magnificent sight. The male cardinal reminds us passion, warmth and vibrancy is available to us – even under the cloak of Winter’s grey clouds. Interestingly, the more bold and bright his color is, the more successful the cardinal will be at prolonging his lineage. Dull colored male cardinals are less likely to mate successfully than bright colored ones. True to the fire of his color, the crimson cardinal has got some major spunk. He will aggressively defend his territory, and fight attackers with ferocity. Indeed, they have been known to fight ghost males (their reflections) in mirrors for hours on end. Both male and female give us glorious songs. Along with peeps and pips and warbles, the tuned ear can also hear “cheer, cheer, cheer!” Very appropriate to the animal symbolism of cardinals, because they are a delight to both eyes and ears. The cardinal makes a fantastic animal totem. It reminds us to hold ourselves with pride, not ego pride but rather the cardinal asks us to stand a little taller, be a bit more regal and step into our natural confidence as if we were born to lead with grace and nobility. Those who attract the cardinal as their totem are naturally energetic, love life, and happily help others where and when they can!

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  Details

  Emma Luna “Stack of terry wash cloths” sculpture

  EMMA LUNA California

  Stack of terry wash cloths

   

  Emma Luna has become increasingly known for her work in ceramic sculpture and mixed media on paper. A native of the Dominican Republic, she has lived from age 14 in the United States. She has a B.S. degree in Art Education from the University of Minnesota. Before moving to California, she lived in Cambridge, Massachusetts, where, while working as an art teacher, she obtained a B.F.A. in painting at Massachusetts College of Art and was associated with the Radcliffe College Ceramics Studio at Harvard University. There she learned the technique of raku ceramic firing. Her ceramic sculptures have been shown at SOFA New York, SOFA Chicago, and in Los Angeles.

  EMMA LUNA Statement

  My sculpture reproduces everyday fabric objects such as washcloths, socks, and just about anything I can get my hands on to reproduce, utilizing the illusionist possibilities inherent in clay as a medium. However, I render this illusion so that the ordinary object simultaneously produces an impression on the extraordinary. Rows of rolled hands towels, piles of terry cloths whose positions defy gravity, a chaotic pile of laundry frozen in shapes that the fabric itself could never hold, and so forth.

  Mine is a voyage of intimate exploration into a subliminal form shared by both clay and fabric: the fold. At the same time, my work de-familiarizes an anonymous and routine form of ‘women’s work’ whose aesthetic possibilities no one but a woman would be likely to apprehend.

   

  EMMA LUNA Resumé

  Selected Solo Exhibitions
  2006 Mixed-media on paper, John Natsoulas Gallery, Davis, CA
  2006 “Art Journey’s Back to the Long, Long Ago and Far Away,” Mixed-media on paper, The International House, Davis, CA
  2004 “Corazones,” Gallery Casa de Chavón, Santo Domingo, Dominican Republic
  2003 Sam Houston State University Art Gallery
  2003 John Natsoulas Gallery, Davis, CA
  2003 UC Davis Alumni Center Gallery, Davis, CA
  1999 “Impressions,” Memorial Union Art Gallery, University of California, Davis, CA
  1986 “Latin American Images,” Austin Arts Center, Trinity College, Hartford, CT
  1985 Gallery 57, Cambridge Art Council, Cambridge, MA

  Selected Group Exhibitions and Galleries
  2013 “Black, White, Red – A Sculpture Show,” A New Leaf Gallery | Sculpturesite, Sonoma, CA
  2013 “Clay & Glass National Juried Exhibition,” Association of Clay and Glass Artists of California (ACGA), City of Brea Art Gallery, Brea, CA
  2013 National Art Competition, Pence Gallery, Davis, CA
  2012 Christopher Hill Gallery, St. Helena, CA
  2011-2012 Crocker Museum Shop, Crocker Art Museum, Sacramento, CA
  2010-2012 Erin Martin Design, St. Helena, CA
  2009-2012 Davis Artists’ Cooperative Gallery, Davis, CA
  2007-2012 A New Leaf Gallery | Sculpturesite, Sonoma, CA
  2009-2011 F Dorian, San Francisco, CA
  2010 “Sculptural Objects & Functional Art (SOFA),” Navy Pier, Chicago, IL
  2010 “3rd Annual Trompe L’oeil,” John Natsoulas Gallery, Davis, CA
  2009 “Small Works,” John Natsoulas Gallery, Davis, CA
  2009 Amoca, Pomona, CA
  2009 “The Uncommon Object,” Pence Gallery, Davis, CA
  2008 “Women Painting Women,” Pence Gallery, Davis, CA
  2007 “Biannual Juried Art Show,” Sonoma Museum of Art, Sonoma, CA
  2003-2007 Annual Auction Art Show, special invitation, Crocker Art Museum, Sacramento, CA
  2000-2007 Mostly Glass, Englewood, NJ
  2004-2006 “Sculptural Objects & Functional Art (SOFA),” New York City, NY
  2001-2006 “Sculptural Objects & Functional Art (SOFA),” special invitation, Navy Pier, Chicago, IL
  2005 “One Hundred Socks,” Sonoma Valley Museum of Art, Sonoma, CA
  2006 “The Flatlanders,” special invitation regional show, University of California, Davis, CA
  2006 Ceramics, John Natsoulas Gallery, Davis, CA
  2006 Art Foundry Gallery Group Show, Sacramento, CA
  2005 “Realism in Art Juried Art Show,” Mostly Glass, Englewood Cliffs, NJ
  2005 “Sonoma County Juried Group Show,”The DiRosa Preserve, Napa, CA
  2004 Amdur Gallery, Glenview, IL
  2004 “Primavera ’04,” Artists-in-Residence show, Fundación Centro Cultural Altos de Chavón, La Romana, Dominican Republic
  2004 “Corazones Perros,” Museo de la Cerámica Contemporánea, Santo Domingo, Dominican Republic
  2003 Gallery Arte Tamburini, La Romana, Dominican Republic
  2003 “Otoño 2003,” Artists-in-Residence show, Fundación Centro Cultural Altos de Chavón, La Romana, Dominican Republic
  2002 “Crocker-Kingsley 73rd Invitational Group Exhibition,” Crocker Art Museum, Sacramento, CA
  2001 “Reality Check,” juried art show, Ohio Craft Museum, Columbus, OH
  2001 Craft Museum, City of Davis First Juried Exhibition, Davis, CA
  2001 “Small Ceramics Art Show,” Academy of Design, New York City, NY
  2001 “Palm Springs International,” Palms Springs, CA
  2001 “Ceramics 30,” John Natsoulas Gallery, Davis, CA
  2001 “Sculptural Objects & Functional Art (SOFA),” The Armory, New York City, NY
  2001 “All Creatures Great and Small,” John Natsoulas Gallery, Davis, CA
  2001 “Los Angeles Art Show,” UCLA, Los Angeles, CA
  2001 “Two Decades,” John Natsoulas Gallery, Davis, CA
  2001 California Conference on Clay Arts, John Natsoulas Gallery, Davis, CA
  2001 Invitational show, Sutter Club, Sacramento, CA
  1999 “Celebrate Ceramics,” Handworks Gallery, Acton, MA
  1999 Blooming Art Gallery, Sacramento, CA
  1999 California Association of Ceramic Artists show, Jeff’s Objets d’Art, Davis, CA
  1998 Artists-in-residence show, Altos de Chavón Gallery, La Romana, Dominican Republic
  1998 Oannes Gallery, Tiverton, RI
  1996 Craigin-Fife Gallery, Brookline, MA
  1995 Invitational show, Concord Art Association, Concord, MA
  1995 “Within Gender,” invitational show at A Conference on Latin American Literature, Montclair State University, Upper Montclair, NJ
  1991 “Voces Prevalecientes,” group show of Hispanic Artists, Firehouse Multicultural Arts Center, Jamaica Plain, MA
  1990 “The Space,” organized by the Hispanic Office of Planning and Evaluation (HOPE) as a benefit for AIDS education, Boston, MA
  1986 “Taming the Beast,” three-person show, Cambridge Multi-Cultural Arts Center, Cambridge, MA
  1986 Dominican artist’s exhibit, Essex County College, Newark, NJ
  1985 Group show of women’s paintings, Massachusetts College of Art, Boston, MA

  Selected Collections
  Museo de la Cerámica Contemporánea, Santo Domingo, Dominican Republic
  Ohio Craft Museum, Columbus, OH
  Hawaii State Art Museum, Honolulu, HI
  Arizona State University Ceramic Museum, Tempe, AZ
  The White House Christmas Tree Ornament Collection, Washington, DC
  Sandy Bessen, Sante Fe, NM
  Edinhurt Gallery, Don Merrill, Beverly Hills, CA
  Barbara Fromm, Palm Desert, CA
  Bea Larsen, Cincinnati, OH

  Selected Honors & Awards
  2013 Third Place Winner, ACGA’s “Clay & Glass National Juried Exhibition,” La Brea, CA
  2009 Honorable Mention, Sonoma Valley Museum of Art Biennial, Sonoma, CA
  2007 Second Place Winner, Sonoma Valley Museum of Art Biennial, Sonoma, CA
  2003-2004 Fulbright Fellowship, Parsons School of Design, Los Altos de Chavón, La Romana, Dominican Republic
  2002 Invited to create an ornament for the White House Christmas tree, now part of the White House collection
  2002 Woodland Art Council Teaching Award
  1999 Pollock-Krasner Foundation Artist’s Grant ($10,000)
  1999 Three mixed media on paper works acquired by Canadian artistic design firm D-Zign I.P.P., Inc.
  1997-1998 “Two Collection,” juried selection of arts and crafts selected for WGBH/Channel 2 Auction
  1994 Three monotype prints acquired by the Fogg Art Museum, Harvard University, as part of the museum’s print lending-library

  Selected Publications and Media
  2013 “Clay, glass elevated in Brea,” review of ACGA show by Richard Chang, photo of sculpture “Las Toallitas de mi Abuela,” The Orange County Register, February 2. 2006 “Emerging,” book cover and article by Rita de Maeseneer, Encuentro con la Narrativa Dominicana Contemporanea, p. 230-233, Iberoamericana, Vervuert, Belgium.
  2006 “Memory’s Allure,” review by Suzanne Munich, Davis Enterprise Newspaper.
  2006 Wheel-throwing demonstrations for KCRA TV news, April and June.
  2005 “Working Gender,” Cultural Representation of Women and Labor, Brujula University of California, Davis, Volume 4 Number 1, December.
  2004 “Emma Luna’s Hearts,” article by Stephen Kaplan, Ceramics Monthly Upfront, December.
  2004 “‘Corazones’ de Emma Luna,” El Caribe, Santo Domingo, Dominican Republic.
  2004 “Dominican Sojourn,” article and interview by Aldrich Tan, The Davis Enterprise.
  2003 “Taking Artistic Wing,” article by Marilyn Moyle, The Davis Enterprise January 30.
  2002 “Illusionism without Illusions,” article by Neil Larsen and Susan Kaiser, Ceramics Art and Perception, Issue 50.
  2002 Article and interview by Janine Tully, guest lecture and presentation to the Hawaii Craftsman Raku Ho’laule’a conference , Honolulu Star Bulletin, May 26.
  2001 Featured on “Modern Masters” television show, Home and Garden Cable Network, May 20
  2001 “Celebrating Clay,” front page photo and article by Paul Dorn, The Davis Enterprise Weekend, May 3.
  1999 “‘Celebrate Ceramics’ Draws a Crowd,” photo and article by Libbie Payne, The Boston Globe, October 10.
  1999 Preview of “Impressions,” Memorial Union Art Gallery, article by Steven Jenkins, Artweek, Issue 7/8.
  1999 “Multi-talented Artist Displays Work at MU,” feature article by Beth Rose Middleton, The California Aggie, UC Davis, August 2.
  1999 Faculty Show, Davis Art Center, reviewed by Kimi Julian, Sacramento News and Review, January 14; By Melissa Leavitt, The California Aggie, January 14; By Marilyn Moyle, The Davis Enterprise, January 28.
  1998 Group Sculpture show, Oannes Gallery, Tiverton, RI, reviewed in Art New England Magazine.
  1998 “Notas Culturales,” taped interview with Luz Vicioso, Channel 19, La Romana, Dominican Republic, August 24.
  1998 “Caña TV,” live interview for the Luisa María Ortiz Show, La Romana, Dominican Republic, Aug. 15.
  1998 “Las Huellas del Caribe en Altos de Chavón,” article by José Bautista, El Siglo, Santo Domingo, Dominican Republic, July 23.
  1996 Artist’s Profile in Ceramics Monthly Magazine, June-August.
  1995 “The Arts and Craft of Emma Luna,” feature article by art critic Christine Temin, The Boston Globe, March 1.
  1990 “Centro,” interview by the Boston NBC affiliate’s Spanish language public affairs program.

  Academic History and Professional Experience
  Private Art Instruction, home studio (present)
  1998-2013 Research Specialist, Printmaking Lab, University of California, Davis, CA
  2009 Guest speaker and presenter at ceramics workshop at the Crocker Museum of Fine Art
  2005-2006 Freelance Art Teacher, Merryhill School, Davis, CA
  2006 Guest speaker and presenter on KVIE Television Guest Artist Series, Sacramento< CA
  2006 Guest speaker and presenter at the California Association of Ceramic Art Conference, John Natsoulas Gallery, Davis, CA
  1999-2003 Freelance Art Teacher, Davis Art Center, Davis< CA
  2003 Invited to lecture and conduct a three-day ceramic sculpture workshop at Sam Houston State University Art Gallery, Houston, TX
  2002 Presentation and lecture at the Honolulu Academy of Art
  2002 Clay demonstration at the University of Hawaii Windward
  2001 Guest speaker and presenter at the California Association of Ceramic Art Conference, John Natsoulas Gallery, Davis, CA
  1985-1998 Art Teacher (Full-time), Boston Unified School Department, Boston, MA
  1998 Visiting Artist, University of California Davis Craft Center, Davis, CA
  1998 Artist-in-Residence (ceramics and sculpture), Parson’s School of Design, Los Altos de Chavón, La Romana, Dominican Republic, June-August
  1997 Workshop on saggar-firing and terra sigillata techniques, Radcliffe College ceramics studio

  Education
  1986 Massachusetts College of Art, BFA, Painting
  1983 University of Minnesota, BS, Art Education