Walter Paul Suter (1901-?), American Art Deco glazed pottery sculpture 1929
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Walter Paul Suter, American Art Deco glazed pottery sculpture 1929
WALTER PAUL SUTER USA
AMERICAN ENCAUSTING TILING CO. New York, NY
Art Deco Seated Female Figure with Draped Skirt and Holding an Art Deco Vase 1929
Hand-modeled and molded cream glazed earthenware figure with gold and silver details on a separate, but matching black glazed earthenware base.
Signed: SUTER ‘29 (under glaze on back right hand corner)
H: 13″ x D: 7 1/2″ x W: 9″
Price: $14,500
Walter Paul Suter was born inBasel, Switzerland in 1902 and studied there at the School of Fine and Applied Arts. He moved to the United States in 1924 and settled in New York. He was a member of the American Ceramic Society, as well as the Society of Swiss Painters, Sculptors & Architects. In 1932 Suter won first prize in the Robineau Member Exhibition in Syracuse. He was a member of the American Encaustic Tiling Company in NYC.
Otis Oldfield, Water Pipes and Shadows, Oil on Canvas c. 1920
OTIS OLDFIELD (1890-1969) USA
“Water pipes and shadows” c. 1920
Oil on canvas, walnut frame
Signed: Otis Oldfield (lower left)
For more information see: Otis Oldfield 1890-1990, Centennial retrospective exhibition (San Francisco, CA: Inkwell Publishing, 1990).
Painting: H: 16 1/8” x W: 13”
Framed: H: 28 ¼” x W: 25 1/8”
Price: $42,500
***The Metropolitan Museum of Art in New York owns a famous Gelatin silver print photograph by Morton Schamberg from 1916 entitled “God”. This image is akin to Duchamp’s “Fountain” and is an iconic Dadaist assemblage of plumbing pipes mounted on a miter box. The “Water Pipes and Shadows” painting by Otis Oldfield similarly brings a certain animation and personality to an under sink composition of mundane drain pipes in a sophisticated “Rayonist” or “Cubist” stylization. Otis Oldfield was born in Sacramento, California in 1890. He enrolled in the Best Art School in San Francisco in 1909 and continued his studies at the Academie Julian in Paris. Returning to the U.S., Oldfield settled briefly Sacramento before returning to San Francisco to accept a post as a teacher at the California School of Fine Art. Oldfield developed a bold modernist style, which caused some controversy among critics covering his exhibits. In 1936 Oldfield was one of a group of San Francisco artists chosen for a WPA project to paint murals in San Francisco’s Coit Tower. Following WW II, Oldfield taught at the California College of Arts and Crafts in Oakland. He died in San Francisco in 1969.
Joseph Raskin, Seaside scene, Oil on Canvas c. 1920 -1925
JOSEPH RASKIN (1897-1981) USA
Seaside scene c. 1920 -1925
Oil on canvas, gold leaf frame
Signed: Jos. Raskin (lower left)
For more information see: Who Was Who in American Art,
(Madison, Conn.: Sound View Press, 1985), p. 505
Canvas: 25 1/4” x 21 1/4”
Frame: 31 1/4” x 26 3/4”
Price: $35,000
Born in Nogaisk, Russia, Joseph Raskin made a name for himself as a painter in New York City, where he was also recognized as an etcher, teacher and writer. He studied at the National Academy of Design and, in 1921, received a fellowship from the Louis Comfort Tiffany Foundation. A member of the American Artists Congress, Raskin’s work was exhibited at the Schervee Gallery (Boston) in 1927, Tricker Gallery in 1939, the Schneider-Gabriel Gallery in 1941, Steinway Hall in 1942, and the American Artists Association in 1945. Raskin’s work may be found in several museum collections including the Carnegie Institute in Pittsburgh, the Pennsylvania Academy of Fine Arts in Philadelphia, the Virginia Museum of Fine Arts in Richmond, and the Corcoran Gallery of Art and National Academy of Design, both in Washington, D.C.
Pedro de Lemos / Art Deco Orange glazed American Pottery Clydesdale Horse Sculpture c. 1930
PEDRO DE LEMOS (1882-1945) Bay Area, California
Clydesdale horse sculpture c. 1930
Hand modeled orange glazed terra cotta.
Marks: De Lemos Palo Alto (sticker on the bottom), various pencil notations on the foot bottom
H: 9 1/8″ x D: 3 1/2″ x W: 9 1/2″
Pedro Joseph de Lemos (25 May 1882 Austin, Nevada – 5 December 1945) was an American painter, printmaker, architect, illustrator, writer, lecturer and museum director. He started his art career in the Bay Area. He studied under Arthur Frank Mathews at the Mark Hopkins Institute of Art in 1900, later was a student of George Bridgman at the Art Students League in New York and of Arthur Wesley Dow at Columbia University Teachers College. The influence of traditional Japanese woodcuts is clearly seen in his work.
Pedro’s father Francisco, a cobbler, emigrated from the Azores in 1872, and settled in Oakland, California where Pedro was educated. Pedro and his brothers Frank and John all followed careers in art. Pedro was employed by Pacific Press Publishing Company between 1900 and 1906, afterwards starting the Lemos Illustrating Company with his brothers in 1907. Later this became known as the Lemos Brothers Art and Photography Studio, which offered art classes in copper, leather and landscaping as well as the traditional media of drypoint, etching and illustrating.
Lemos worked from a studio overlooking Lake Merritt and taught art at the University of California, Berkeley, working at the same time as illustrator and designer and giving classes in decorative design and etching at the San Francisco Institute of Art, where he had earlier studied when it was the Mark Hopkins Institute. He helped found the California Society of Etchers and an aqua print of his was acclaimed at the 1915 Panama-Pacific International Exposition, for which he helped organise the California print exhibition. He filled the position of Professor of Design at Stanford University and became director of the Stanford University Museum of Art in 1919. Besides being the first president of the Carmel Art Association, he was an affiliate member of several art organisations such as the California Society of Etchers, the California Print Makers, the Palo Alto Art Association, the Chicago Society of Etchers and the Bohemian Club. In 1943 he was elected a Fellow of the Royal Society of Arts in London.
Arthur N. Colt, “The Wrestlers”, Oil on canvas c. 1938
ARTHUR N. COLT (1889-1972) USA
The Wrestlers c. 1938
Oil on canvas
Signed: A. N. Colt in lower right corner
For more information on Colt see: Who Was Who in American Art (Madison, Conn.: Sound View Press, 1985). p.125. Hove, Arthur, ed. Wisconsin Alumnus Vol. 61, No. 9 (January 1960), “Portrait Patterns” Art Digest v. 9 (December 15, 1934) p. 7
Canvas: H: 29 ½” x W: 34”
Framed: H: 38 ½” x W: 43”
Arthur Colt studied painting at the Art Institute of Chicago and in Paris. He was not only an important Wisconsin painter but also an influential teacher. He taught at the University of Wisconsin, Madison, founded a summer art colony at Black River and Devil’s Lake, WI and went on to form the Colt School of Art. Arthur Colt exhibited at the Madison Salon of Art Exhibition in 1934.
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