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  Thomas F. Barrow, Register Synthesis, Gelatin silver print photogram with applied spray paint, 1978

  THOMAS F. BARROW (b. 1938) Kansas City, MO

  Register Synthesis Photogram 1978

  Gelatin silver print photogram with applied spray paint

  Signed: Register Synthesis – 1978 – Thomas F. Barrow (in ink on back)

  Exhibited: J.J. Brookings & Co. (San Jose, CA): Thomas F. Barrow: Inventories and Transformations, A Twenty Year Retrospective, Nov. 6 – Dec. 16, 1986. This exhibit occurred simultaneously with the following two museum shows: the San Francisco Museum of Modern Art (Nov. 6, 1986 – Jan 11, 1987) and the Los Angeles County Museum of Art (Feb. 26 – May 10, 1987).

  Related photograph illustrated: Aperture: The New Vision: Forty Years of Photography, no. 87 (New York: Aperture Foundation, Inc., 1987), cover image.

  Framed size: H: 19 5/8” x W: 23 7/16”

  Thomas Barrow, American was born in Kansas City, Missouri. He studied at the Art Institute of Design in Chicago, Illinois and received his M.A. in 1967. At the George Eastman House, Barrow was the Assistant Director from 1971 to 1972 and served as the Associate Director of the University of New Mexico Art Museum from 1973 to 1976. Barrow started teaching photography in 1976 in the Art Department of the University of New Mexico and by 1985 he became the Acting Director of the University Art Museum. His Midwestern academic pedigree includes studying with Aaron Siskind at the Art Institute of Design in Chicago and with filmmaker Jack Ellis at Northwestern University in Evanston, IL. Barrow has received two NEA Photographers Fellowships in 1973 and 1978.

  Barrow has produced a series of silver-gelatin photograms and then applied spray paint to the prints. These combine the feeling of a split-toned black and white print and at the same time appear as color-print photograms. He has produced a series of photograms entitled Disjunctive Forms. His images appear as surreal assemblages of various found and created objects superimposed with stencil text. Barrow works in the “academic” tradition—his pictures are deliberately and consistently experimental, highly intellectualized, scholarly in their concerns, and chock-full of references to the work of other artists.

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  Jean Marion Gates Hall, “Napa Valley” Oil on canvas 1940

  JEAN MARION GATES HALL (1911-2001) USA

  Napa Valley 1940

  Oil on canvas, original wood frame

  Signed: with her monogram initials JGH (lower right)
  Marked on back: Jean Gates Hall, June 18, 1940, Napa Valley

  Canvas: H: 14″ x W: 17 1/4″
  Framed: H: 17 1/2″ x W: 20 1/2″

  Price: $4,250

  Born in Memphis, TN on May 19, 1911.  Jean Gates studied at the Cummings School of Art in Des Moines.  At age 14 she moved to Los Angeles with her family.  There she continued at the Chouinard Art School while working for Warner Bros, Walt Disney, and Mintz Studios.  Upon moving to San Francisco, she married writer James D. Hall in 1938.  Her illustrations were used in her husband’s children’s books.  She established a studio in the “Monkey Block” (now the Transamerica Pyramid) and was active in the local art scene.  She later earned her B.A. degree at San Jose State University (1955) and M.A. degree at UC Davis (1966).   Working in oil and watercolor, her painting style and subject matter evolved with the years from descriptive realism to linear pictures, and finally an entirely new medium called Magpage.  Mrs. Hall was a resident of Oakland in the 1980s and died in Cedar Ridge, CA on June 23, 2001.

  Exhibitions:  Iowa State Fair, 1926; California State Fair, 1937; GGIE, 1939;  Paul Elder Gallery (SF), 1939 (solo); NMAA, 1941; SFMA, 1942 (solo); De Young Museum, 1944 (solo); California WC Society, 1945-53; UC Davis, 1946, 1965 (solos); Kingsley Art Club (Sacramento), 1965.