Product Description
Wes Wilson, Howlin’ Wolf, Big Brother and the Holding Company, Harbinger Complex at the Fillmore, April 21-23, 1967, 1st edition
WES WILSON USA
Howlin’ Wolf, Big Brother and the Holding Company, Harbinger Complex at the Fillmore April 21-23, 1967
Marked: Wes Wilson #60 Creative Lithograph Co. ©1967 Bill Graham
H: 23 ¾” x W: 14”
Wes Wilson, Howlin’ Wolf, Big Brother and the Holding Company, Harbinger Complex at the Fillmore, April 21-23, 1967, 1st edition
RAYMOND BARGER (1906-2001) USA
Sculpture c. 1955
Polychrome contoured wood of interlocking circular forms in white, blue and pink on a bronze base.
Signed: RB (artist initials), USA, Z0I
H: 8 1/2” x L: 12 ¾” x D: 8
Price: $5,800
Raymond Granville Barger was a sculptor working in metal, plastelin, and bronze among other materials. Barger was educated at Carnegie Institute of Technology and Yale University School of Fine Art. He received a Winchester Fellowship from Yale, and a special fellowship from the American Academy in Rome. Barger moved to California, where he died in 2001.
GIUSEPPE NAPOLI (1929-1967) Italian / American
“Shamballa” 1965
Oil on board
Signed: Napoli (scrafitto on front), Giuseppe Napoli 1965 “Shamballa”
(on back of board), Giuseppe Napoli (signed twice on stretcher)
H: 24” x W: 20”
A profoundly dynamic Abstract Expressionist painting by New York artist, Giuseppe Napoli. The painting is painted on board which is affixed to stretcher bars by staples.
Giuseppe Napoli was part of the New York School of the 1950’s and 60’s working out of a small studio in Greenwich Village. Napoli participated in numerous exhibitions but unfortunately his career was cut short by his suicide in 1967 the result of suffering from periods of depression.
Just as “Starry Night” is widely considered to have reflected the mental state of Van Gogh shortly before his death; this painting may also have reflected the mental state of Giuseppe Napoli who ended his own life only two years after creating this remarkable painting. The vigorous, heavy impasto, the ominous sun made impotent by the bold black ring that surrounds it and the jumbled landscape below, could be symbolic of the hope-against-hope, that eventually prevailed.