Peter Canty received his BA in art from the Chouniard Art Institute, Los Angeles (now California Institute of the Arts) and an MA from the University of California, Santa Cruz in 1969. Heavily influenced by the Post-Impressionist masters Van Gogh, Gauguin and Cezanne, in his own he words he describes his interest in landscapes, believing they are, “the best vehicle for motion, force, and color dynamics.” Although his work reference realistic subjects, Canty’s imagery is drawn strictly from his own imagination.
Peter Canty received his BA in art from the Chouniard Art Institute, Los Angeles (now California Institute of the Arts) and an MA from the University of California, Santa Cruz in 1969. Heavily influenced by the Post-Impressionist masters Van Gogh, Gauguin and Cezanne, in his own he words he describes his interest in landscapes, believing they are, “the best vehicle for motion, force, and color dynamics.” Although his work reference realistic subjects, Canty’s imagery is drawn strictly from his own imagination.
Gerrit V. Sinclair “Third Ward Milwaukee”, Oil on board, lemon gold frame c. 1940
GERRIT V. SINCLAIR (1890-1955) USA
Third Ward Milwaukee c. 1940
Oil on board, lemon gold frame
Signed: GV Sinclair (lower right corner on front of painting)
For more information see: Who Was Who in American Art (Madison, Conn.: Sound View Press, 1985) p. 571.
Painting H: 15” x W: 20”
Framed H: 20 7/16” x W: 25 7/16”
Price: $27,500
Gerrit V. Sinclair was born in Grand Haven, Michigan in 1890. He studied art at the School of the Art Institute of Chicago from 1910 to 1915. His most well known teachers at the Art Institute were John Vanderpoel and John Norton. In 1917 the artist enlisted in the Army Ambulance Corps and served in northern Italy and Austria. Scenes from his experience abroad are recorded in his works of the early 1920s. Following the war, Sinclair settled in Milwaukee, Wisconsin, where he became a member of the faculty of the Layton School of Art upon the school’s founding in 1920. He continued to teach at the Layton School and at the Oxbow Summer School of Art in Saugatuck, Michigan until his retirement in 1954. Sinclair is recognized both as an important artist and teacher from the Great Lakes region. During his lifetime Sinclair’s paintings were exhibited at the Salon d’Automne in Paris, the Salon Printemps in Paris, the Pennsylvania Academy of Fine Arts, the National Academy of Design, the Whitney Museum in New York, the New York Watercolor Club, the Brooklyn Museum, the Corcoran Gallery of Art in Washington D.C., the Carnegie Institute in Pittsburgh, the Art Institute of Chicago and in many other museums and galleries. He received numerous prizes and commissions for his work including a W.P.A. mural commission for the Federal Building in Wassau, Wisconsin. Sinclair was a member of Wisconsin Painters & Sculptors, Wisconsin Federation of the Arts and the Wisconsin Painting Museum. His style is a blend of realism and Impressionism but is clearly modern in its abstract concern for composition and color. Sinclair is best known for his regionalist paintings of rural and urban Wisconsin. His farm scene entitled ”Spring in Wisconsin” was exhibited at the 1939 World’s Fair in New York. Gerrit V. Sinclair died in Milwaukee, Wisconsin in 1955.
Peter Svenson, “Triangle Painting”, Oil on canvas 1976
PETER SVENSON (b. 1944)
“Triangle Painting” 1976
Oil on Canvas
Signed: Peter Svenson 1976, Turkey Shoot (on the stretcher) and canvas on verso.
H: 41 ½” x W: 48”
Nationally recognized artist and writer Peter Svenson was born in 1944 and received a bachelor of arts degree from Tufts University and a masters of fine arts in painting from the University of North Carolina.
Svenson created “Turkey Shoot” in 1976 based on color field painting theories. The triangular shaped canvas is unusual in this style of painting, the lines are precise, the paint is thinly laid on the primed canvas in flat primary and secondary colors. “During the late 1950s and 1960s, color field painters emerged in Great Britain, Canada, Washington, DC and the West Coast of the United States using formats of stripes, targets, simple geometric patterns and references to landscape imagery and to nature.” Some of the artists of the Washington Color School included Gene Davis, Morris Louis, Kenneth Noland and Sam Gilliam.
Peter Svenson’s work relates to this group of Washington color field artists working in the style in the 1950s, 60s and 70s.
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