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  Aram Gesar, Venetian Blinds, Ciba-chrome print 1979

  ARAM GESAR     USA

  Venetian Blinds   1979

  Ciba-chrome print, maple frame

  Signed: 790069, LXXIX (on back)

  Framed size: H: 17 9/16” x W: 23 ½”

  Price: $24,000

  Aram Gesar has been published internationally and has exhibited his photographic work in New York, San Francisco, Zurich and Geneva since 1977. As a producer, art director and photographer, Gesar created advertising campaigns for major corporations in the U.S. and Europe focusing on the fields of travel, banking, financial services, aerospace and motion pictures. He also created and produced documentaries on travel, aviation and yachting for national cable networks and the home video markets and television commercials and corporate programs for various U.S. and European corporations.

  Gesar is currently one of the leading international experts on travel and air transport, and the founder and CEO of The Pyramid Media Group, which includes several magazines, newsletters, web sites, books, eBooks and other publications integrating a spectrum of business, travel and aviation content.

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  Tim Liddy, Lie Cheat and Steal (1971) The Game of Political Power Oil and enamel on copper, plywood back 2006

  TIM LIDDY (b. 1963) Missouri

  “Lie Cheat and Steal” (1971) The Game of Political Power 2006

  Oil and enamel on copper, plywood back

  Signed in script: Tim Liddy “circa 1971” 2006, red circular ring

  Provenance: William Shearburn Gallery (St. Louis, MO)

  H: 12” x W: 9” x D: 2”

   

  With his recent paintings, Liddy has both reasserted the construct of hyperrealist painting and developed a thoroughly unique advancement of that mode by extending the cultural reality of the indexed original. Based on the illustrated box lids of vintage board games, Liddy has recontextualized a subject, which evokes the underlying rules of life. Painted on copper or steel in the precise dimensions of the original, the metal is then manipulated to demonstrate the exact rips and tears from years of usage and includes trompe-l’oeil renditions of the scotch tape that might be holding the cardboard box together, the assorted stains, or the various graffiti of time. Liddy leaves no possibility of ambivalence, these works speak to a concurrent understanding of their original object identity and to themselves as works of art engaged in historical and psychological dialogue.

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  Details

  Tim Liddy Oy Vey (1979) The game where you become a JEWISH MOTHER! Get your sons to become doctors—Get your daughters married to doctors! If not, OY VEY! 2008 Oil and enamel on copper, plywood back

  TIM LIDDY

  “Oy Vey” (1979) The game where you become a JEWISH MOTHER! Get your sons to become doctors—Get your daughters married to doctors! If not, OY VEY! 2008

  Oil and enamel on copper, plywood back

  Signed in script: Tim Liddy, red circular ring, “circa 1979”, 2008

  Provenance: William Shearburn Gallery, St. Louis, MO

  H: 10 ¼” x W: 20 ½” x D: 1 ¾”

  With his recent paintings, Liddy has both reasserted the construct of hyperrealist painting and developed a thoroughly unique advancement of that mode by extending the cultural reality of the indexed original. Based on the illustrated box lids of vintage board games, Liddy has recontextualized a subject, which evokes the underlying rules of life. Painted on copper or steel in the precise dimensions of the original, the metal is then manipulated to demonstrate the exact rips and tears from years of usage and includes trompe-l’oeil renditions of the scotch tape that might be holding the cardboard box together, the assorted stains, or the various graffiti of time. Liddy leaves no possibility of ambivalence, these works speak to a concurrent understanding of their original object identity and to themselves as works of art engaged in historical and psychological dialogue.

   

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  Details

  Sigi “Shell” earrings, sterling, signed c. 1950’s