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  Tiffany & Co. / Albert Barney American Art Deco sterling demitasse pot 1936

  ALBERT BARNEY (? -1955) American
  JOHN C. MOORE  (1907-1947)  New York
  TIFFANY & COMPANY  (1868-)  New York

  “Century Modern” chocolate or demitasse pot   1936

  Handwrought sterling silver, fiber handle and finial

  Stamped: TIFFANY & Co. MAKERS, 22172 (pattern/date system number), 5244(order number), STERLING SILVER, 925-1000, m (John C. Moore, designer), 5 GILLS

  For a related modernist service and information about  Century Modern silver exhibited at the 1939 New York World’s Fair see: Tiffany Silver, Charles H. Carpenter, Jr. (New York: Dodd, Mead & Company, 1978) pp. 256, 259-261

  For more information see: Tiffany Silver, Charles H. Carpenter, Jr. (New York: Dodd, Mead & Company, 1978) pp. 256, 259-261; Modernism:  Modernist Design 1880-1940, The Norwest Collection, Norwest Corporation, Minneapolis, Alastair Duncan (Woodbridge, Suffolk, England:  The Antique Collector’s Club, 1998), p. 240.

  H: 8″ x W: 5″ x D: 3 1/4″

   

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  Otto Eckmann (attr.) Pair Of Hand Wrought Iron Floral Candlesticks c. 1900

  OTTO ECKMANN attr.  (1865-1902)  Germany

  Pair of candlesticks c. 1900

  Hand-wrought iron with floral and foliage design

  H: 12 ¼” x W: 8 ¼”

  Price: $7,475

  Otto Eckmann (19 November 1865 – 11 June 1902) was a German painter and graphic artist. He was a prominent member of the “floral” branch of Jugendstil. Otto Eckmann was born in Hamburg, Germany in 1865. He studied at the Kunstgewerbeschule in Hamburg and Nuernberg and at the academy in Munich. In 1894, Eckmann gave up painting (and auctioned off his works) in order to concentrate on applied design. He began producing graphic work for the magazines Pan in 1895 and Jugend in 1896. He also designed book covers for the publishers Cotta, Diederichs, Scherl and Seemann, as well as the logo for the publishing house S. Fischer Verlag. In 1897 he taught ornamental painting at the Unterrichtsanstalt des Königlichen Kunstgewerbemuseums in Berlin. In 1899, he designed the logo for the magazine Die Woche. From 1900 to 1902, Eckmann did graphic work for the Allgemeine Elektrizitätsgesellschaft (AEG). During this time, he designed the fonts Eckmann (in 1900) and Fette Eckmann (in 1902), probably the most common Jugendstil fonts still in use today.