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  John Pearson / British Arts & Crafts Handwrought copper tea caddy c. 1900

  JOHN PEARSON  (19th century) UK

  Tea caddy  c. 1900

  Handwrought copper with rivets, repoussé lid with 4 heart-shaped leaves, rich red brown original patina

  Marked:  JP in an oval cartouche (on bottom)

  H: 4 1/2″ x D: 4 1/4″

  For more information on Pearson see: CR Ashbee: architect, designer & romantic socialist, Alan Crawford (New Haven, CT: Yale University Press, 1985), pp. 32-33, 46, 313-316;  Reflections: arts and crafts metalwork in England and the United States (New York: Kurland – Zabar, 1990), pp. 32-33.

  Pearson was an original member of CR Ashbee’s Guild of Handicraft starting in 1888. He later resigned to join the Newlyn Industrial Class. He also worked for the designer & ceramicist William De Morgan which is where many of his fanciful themes in repousse are inspired. He is considered one of the finest repousse metalsmiths of the period. His shop remained active until after the turn of the century, most pieces are dated.

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  Marianne Brandt / Metallwarenfabrik Ruppelwerk / F.W. Quist Bauhaus Black enameled desk accessories & ashtray c. 1930

  MARIANNE BRANDT  (1893-1983)  Germany
  METALLWARENFABRIK RUPPELWERK Gotha, Germany

  Paper holder   c. 1930

  Black enameled and nickeled metal, hinged ball weight, ball feet
  Marks:   RUPPEL (in a circle), mehrfach geschützt
  Illustrated: Die Metall Werkstatt am Bauhaus, (Berlin: Bauhaus-Archiv, Museum für Gestaltung, 1992) pp. 181-3;
  H:  1 5/8”  x W: 5 1/4” x D: 4”

  Napkin holder   c. 1930

  Black enameled metal and nickeled base
  Marks:  RUPPEL (in a circle), mehrfach geschützt, 85/4440/37, Ruv 5 (numbers in red crayon)
  H: 3 ¾”  x W: 5” x D: 2 1/8”

  For other works by Brandt for Metallwarenfabrik Ruppelwerk see: Die Metall Werkstatt am Bauhaus, (Berlin:  Bauhaus-Archiv, Museum für Gestaltung, 1992) pp. 180-183; Die Metall Werkstatt am Bauhaus, (Berlin: Bauhaus-Archiv, Museum für Gestaltung, 1992) pp. 181-3; Avantgarde Design 1880-1930, Torsten Bröhan, Thomas Berg (Cologne: Benedikt Taschen, 1994) p. 105.

  F.W. QUIST Esslingen, Germany

  Ball ashtray “Smokny”

  Nickel plated metal and black lacquered surface
  Marks: Quist (on bottom)
  H: 3 1/2″

  The hardwarefactory F.W.Quist, Esslingen, Germany was founded 1868 as „Lackier- und Metallwaarenfabrik“ from the turner and metal-turner Jacob Schweizer, jun.. In the year 1872, the conversion of the business from a public company occurred, the “Actien-Plaqué Fabrik”. From 1890, the director and shareholders Friedrich Wilhelm Quist took over the business as alone-owner. In his succession four generations continued the business as family-businesses until 1981.

  The business always stood for the manufacture more representatively props in the taste of the time. „Tischkultur, Gastlichkeit, Geschenkkultur dienten als Felder, einen gehobenen, verfeinerten Lebensstil zu dokumentieren und das unabhängig von der gesellschaftlichen Zugehörigkeit.“ (Served table-culture, hospitality, gift-culture as fields should document lifestyle, independently of the social affiliation) (Esslingen 2004, S.60)

  So, the form of the 1970 as newness presented ball-ashtray was borrowed this famous „ball“ or „globe“ (presented for the first time, 1966 at the international furniture-fair in Cologne) and „bubble“ (1968) chairs by the finish designer Eero Aarnio. The completely new and unconventional shape, Aarnio developed on basis of the simplest geometrical form, the ball. It advanced to a cult-object of the following decade and didn’t lose anything modernity until today.