Product Description
Art Deco Emerald step cut diamond solitaire ring (approx. 3 carats TW) surrounded with French cut natural sapphires and round diamonds all set in platinum mounting, c. 1930’s

Art Deco Emerald step cut diamond solitaire ring (approx. 3 carats TW) surrounded with French cut natural sapphires and round diamonds all set in platinum mounting, c. 1930’s
TOMMI PARZINGER (1903-1981) Germany/USA
PARZINGER, INC. New York
Coffee table c.1939
Carved and ceruse oak with an incised diamond pattern pewter top
Illustrated: Arts and Decoration, June 1940
***This table was originally priced at $80 during the period, as it appears in the Arts and Decoration vintage illustration from 1940.
For other examples of Parzinger’s work see: Town & Country, Vol. 54, “Counter Points”, December 1939, p. 31; Town & Country, Vol. 95, “Counter Points”, June 1940, p. 19; The Studio, 1938, “For the Table”, p.107-09; The Studio, 1942, “Tommi Parzinger, Designer of Modern Interiors and Silver”, p.37; Decorative Art, Studio Yearbook (London & New York: The Studio Publications, 1952-53), p. 98; Craft in the Machine Age, ed. Janet Kardon (New York: American Craft Museum, 1995) p.128, 134, 183, 241.
H: 12” x L: 42” x D: 14”
Price: $34,500
This is a wonderful and rare coffee table by Tommi Parzinger in beautifully detailed ceruse oak with a diamond pattern pewter inset top. This table was
completely handmade and dates from 1940, shortly after Parzinger opened his first eponymous gallery on East 57th Street. It is low and lean with exquisite Neoclassical Revival carved details and a silhouette that calls to mind an American take on Jean Michel Frank’s sober and refined elegance of the same time period. The cross-hatch carving with tassels on the two long sides and the related top corner details also have a charm reminiscent of Parzinger’s affable personality and effervescent design sensibility.
ANDRÉ THURET (1898-1965) France
“Organic” vase/bowl c. 1930
Handblown and formed clear glass with bubble technique encapsulating a frosty white oxide.
Signed: ANDRÉ THURET
H: 2 3/8″ x D: 4″ x W: 6 1/4″
Andre Thuret was one of the first modern French studio glass artists and a contemporary of Maurice Marinot. He was born on November 3, 1898 in Paris. It is by science that Andre Thuret came to art. It is in Thuret the engineer and the chemist who serve Thuret the vase artist. The scientist places at the disposal of the creator of forms, rates/rhythms and colors the fluid and transparent beauty of glass and the reactions of metallic oxides. He worked in a traditional glass blowing technique at a temperature often exceeding 1,000 degrees. Thuret exhibited at the Salon d’Automne in 1928 and 1932 and obtained his first plate of the Company of Encouragement to Art. He was invited to exhibit in the United States in 1929-1930. Andre Thuret received his Chevalier of the Legion of Honor in 1947.
WMF (Württembergische Metallwarenfabrik) Geislingen, Germany
Dinanderie vase c. 1930
Silver-plated copper with with red patinated squares and rectangles on a black-patinated textured background
Marks: WMF castle mark, IKORA
Illustrated: WMF Ikora Metall / Metalwork, Carlo Burschel and Heinz Scheiffele (Stuttgart, Germany: ARNOLDSCHE, 2006), p. 142, 90/585.
For more information see: WMF Glas Keramik Metall 1925-1950, Jörg Schwandt, (Berlin: Kunstgewerbemuseum, Staatliche Museum Preussischer Kulturbesitz, 1981). Metallkunst, Band IV (Berlin: Bröhan-Museum, 1981) pp. 546-579.
H: 3″ x Dia: 4″
SOLD
SEVARD France (active 1920’s/1930’s)
Dinanderie vase with fish fins c. 1925
Hand wrought and hand hammered copper with a rich chocolate-brown
patination and bronze fin-like handles, gilt detailing
Marks: Sevard (inscribed signature), “France”
H: 7 7/8” x W: 8 3/4”