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  Theodore B. Starr (attr.) American Art Nouveau brooch, High style openwork graphic design in 18k gold and set with two large oval cabochon emeralds and one tear drop emerald (20 carats TW) with 144 old European round cut diamonds (approx. 9 carats TW) and six small cabochon emeralds as accents, c. 1900

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  W.C. Handy, “Blues – An Anthology” 1926

  W.C. HANDY ed. (1973-1958) USA
  “Blues – An Anthology” 1926
  180pp. bound in blue cloth with original dust jacket. Very scarce work, considered the most famous blues collection in history, it includes historical notes, tunes and arrangements, notes for each song, a bibliography, and a chart of guitar chords.
  With an introduction and notes by Abbe Niles
  Illustrations by Miguel Covarrubias
  Published by Albert & Charles Boni, New York

  Dimensions:
  Book: H: 11 ¾” x W: 9 1/8” x D: 1”
  Custom leather box 2008: H: 13 13/16” x W: 10 3/8” x D: 2 7/16”
  Custom silk slipcase: H: 15” x W: 11 1/8” x D: 3 3/8”

  William Christopher Handy was a composer, musician and a music publisher. He was sometimes called the “Father of the Blues” and was credited with helping popularize blues music. Handy was a seminal figure in the development of American songwriting. His compositions assimilated folk tunes, blues, spirituals, minstrel songs, and elements of European music and forged a new sound in American popular commercial music. Born in Florence, Alabama, Handy began arranging music when in grade school. By the turn of the century, he had toured or was touring with a number of minstrel acts and bands. He became a leading bandleader in Memphis, Tennessee, and eventually wrote such classics as “The Memphis Blues” (1912), “The St. Louis Blues” (1914), and “Beale Street Blues” (1916). In addition to his songwriting, Handy also founded an important and influential music publishing concern, the Pace and Handy Music Company, in 1913. Finally, Handy’s books and writings, such as his autobiography, Father of the Blues (1941), and Blues: An Anthology (1926), comprise an important contribution to American culture. In 1979, New York City joined the list of institutions and municipalities to honor Handy by naming a stretch of West 52nd Street in Manhattan “W.C. Handy Place.”

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  Jaipur Enameled and Gem Set Rare Solid Gold Cup and Saucer c. mid-19th Century

  JAIPUR, MUGHAL INDIA

  Enameled and gem set gold Cup and Saucer c. mid-19th Century

  High carat yellow gold (22-24 carat) cup and saucer set with a fine emerald, ruby and diamonds, the cup with a high foot with rounded sides and handle formed of two snakes intersecting at three points and biting the rim. The exterior is decorated with red, green, blue and white enamels with roundels containing combatant animals on a ground of floral sprays, the saucer with gently rounded sides decorated with lobed cartouches containing warriors combating tigers and birds, the underside with a series of oval panels containing peacocks and hummingbirds.

  Provenance: a gift from a European diplomat in the 1930’s-40’s, and thence by descent.

  Saucer: Dia: 5 1/4;

  Cup: H: 2 3/4″ (with handle) x Dia: 2 5/8″

  Similar animal decoration can be found in an epaulette attributed to Rajesthan, probably Jaipur, in the Khalili Collection (Pedro Moura Carvalho, Gems and Jewels of Mughal India, London, 2010, p. 225, no. 120. A related cup and saucer with similar animal depictions was sold at Christie’s (Islamic Art, Indian Miniatures, Rugs and Carpets, London, 21st October 1993, lot 350.

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  Waslikoff & Sons, Inc., New York (active 1920’s to 1950, 48th Street) Art Deco bracelet set with one large oval aquamarine, 6 large emerald-cut aquamarines and 16 French cut aquamarines (approx. 30 carats TW for the 23 aquamarines) together with 60 round-cut diamonds and 6 baguette diamonds (approx. 6 carats TW for the 66 diamonds) all set in platinum, signed, c. 1930’s