Product Description
Christopher Dresser / Minton Aesthetic Movement “Cloisonné” Vase 1867
CHRISTOPHER DRESSER (1834-1904) UK
MINTON, Stoke-on-Trent, England
“Cloisonné” vase 1867
Glazed porcelain with polychrome enamel decoration and gilding
Marks: MINTON, date cipher for 1867
Illustration: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhibition catalogue, Historical Design, Inc. (New York, 1998) p. 78.
H: 9 7/8”
Christopher Dresser / Minton Aesthetic Movement “Cloisonné” Vase 1867
ARCHIBALD KNOX (1864-1933) UK
LIBERTY & CO. London
Cake tray with handle c. 1902-05
Hammered pewter with stylized leaf and berry motif in relief
Marks: MADE IN ENGLAND, “TUDRIC” RD449032 PEWTER, 0357 SOLKETS (retailer)
For more information see: The Designs of Archibald Knox for Liberty & Co., A.J. Tilbrook (London: Ornament Press Ltd., 1976); The Designs of Archibald Knox for Liberty & Co., A.J. Tilbrook (London: Ornament Press, 1976); Archibald Knox, ed. by S. Martin (London: Academy Editions,1995); Liberty’s 1875-1975, An Exhibition to mark the Firm’s Centenary (London: Victoria & Albert Museum, 1975).
H: 3 3/4” x W: 12”
HANK PITCHER (b. 1949) U.S.A.
“Mr. Zogs board at Coal Oil Point” 2006
Oil on canvas, laid on board
Signed: Mr. Zogs board at Coal Oil Point (with chalk on back),
Hank pitcher 2006, Mr. Zogs Board at Coal Oil Point
For more information see: Hank Pitcher Surf, exhibit. cat. (Santa Barbara: Sullivan Goss Gallery, 2003); Surfboard Wax – A History, Jefferson “Zuma Jay” Wagner (Atglen, PA: Schiffer Publishing Ltd., 2005).
Canvas: H: 84” x W: 36”
Framed: H: 87” x W: 39”
Pitcher’s surfboard paintings are the symbol of California beach culture…strong, definite, positive and euphoric statements about life in California. The surfboard’s power as totem is seen in its power to convey identity: surfer, Californian, Hank Pitcher. All are identifiable from this symbolic representation. Hank Pitcher is the voice of California culture. At the beach, in the surf, approaching the foothills, in the mountains, on the spit of Point Conception, in the crags of Big Sur, at a beach campfire in Santa Barbara, Pitcher paints the icons of California’s culture.
Hank Pitcher’s paintings are grounded in a particular sense of place. He was born in Pasadena, California on July 20, 1949, but his family moved to Isla Vista, near Santa Barbara, when he was two years old. When they came to Isla Vista it was an outpost on the beach, and Goleta was a farm town where kids rode their horses down the avenue to buy candy at the store. He was a football star at San Marcos High School and was recruited by big-name universities. Instead of football, he chose to attend the College of Creative Studies, an alternative program within the University of California at Santa Barbara (UCSB) where he now teaches painting. He splits his time between painting and surfing, pursuing each with the commitment and energy of a linebacker.