Product Description
Christopher Dresser / Minton Aesthetic Movement “Cloisonné” Vase 1867

CHRISTOPHER DRESSER (1834-1904) UK
MINTON, Stoke-on-Trent, England
“Cloisonné” vase 1867
Glazed porcelain with polychrome enamel decoration and gilding
Marks: MINTON, date cipher for 1867
Illustration: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhibition catalogue, Historical Design, Inc. (New York, 1998) p. 78.
H: 9 7/8”
Christopher Dresser / Minton Aesthetic Movement “Cloisonné” Vase 1867
ROYCROFT COPPER SHOP East Aurora, N.Y.
Pair of candlesticks c. 1915.
Hand wrought and textured copper, silver-plated.
Marks: impressed R, in orb with cross, ROYCROFT
For more information see: The American Arts & Crafts Movement in Western New York 1900-1928, Bruce A. Austin (Rochester Institute of Technology, 1992); Arts & Crafts Movement in New York State 1890’s – 1920’s, Coy Ludwig (Hamilton, N.Y.: Gallery Association of New York, 1983).
H: 6″ x W: 6 7/8″ x D: 2 5/8″
KARL BENJAMIN (1925-2012) USA
Geometricized figure 1954
Oil on canvas
Signed: Benjamin 54 (lower left)
For more information see: Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, Vol. 1 to 10, E. Bénézit (Paris: Librairie Gründ, 1976).
Canvas: H: 17″ x W: 6″
Framed: H: 24 1/2″ x W: 13 1/2″
Karl Benjamin was born in Chicago, IL in 1925. He received his BA from the University of Redlands, CA and his MFA at Claremont Graduate School, CA. Benjamin belonged to the Hard Edge group of West Coast painters led by John McLaughlin during the 1950s, 60s and early 70s. He was awarded the National Endowment for the Arts Grant for Visual Arts in both 1983 and 1989. His work has been featured in numerous museum exhibitions and is included in the public collections of the Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, Israel; Oakland Museum, Oakland, CA; San Francisco Museum of Modern Art, CA; Seattle Art Museum, WA; and the Whitney Museum of American Art, NY, among others. For many years, Benjamin taught painting at Pomona College and Claremont Graduate School, and currently is Professor Emeritus. He lived in Claremont, CA.
CHRISTOPHER DRESSER (1834-1904) UK
HUKIN & HEATH Birmingham, England
“Crow’s foot” spoon warmer 1878
Silver-plate
Marks: H&H, 2362
Two other examples are recorded but with complex Victorican engraving.
Illustrated: Christopher Dresser and Japan, exh. cat. ed. by Koriyami City Museum of Art, Brain Trust Inc. (Koriyami 2002), cat. no. 114, p. 138; Christopher Dresser, ein Viktorianischer Designer, 1834-1904, (Cologne: Kunstgewerbemuseum der Stadt Köln, 1981) cat. no. 15; Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998) p. 33.
H: 4 3/4” x W: 7”
CHRISTOPHER DRESSER (1834-1904) UK
JAMES COUPER & SONS Glasgow, Scotland
“Clutha” vase c. 1890
Blown glass with a strawberry red and green swirl design and internal bubbles
Marks: CLUTHA DESIGNED BY CD REGISTERED (acid etched)
Illustrated: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhib. cat. Historical Design, Inc. (New York, 1998) p. 72/73
H: 3 1/4″