Product Description
Christopher Dresser / James Couper & Sons Aventurine blown glass Clutha vase c. 1895
CHRISTOPHER DRESSER (1834-1904) UK
JAMES COUPER & SONS Glasgow
Clutha vase c. 1895
Aventurine blown glass with iridescent gold streaks and internal bubbles
Illustration: Christopher Dresser, Widar Halen (Oxford: Phaidon, Christies Limited, 1990) p. 196, illust. 228.
For more information: Liberty Style: the classic years, 1898-1910, Mervyn Levy (New York: Rizzoli International Publications, Inc., 1986); Christopher Dresser: the power of design, Christopher Wilk (New York: Zurland – Zabar, 1993).
H: 19 3/8 ”
Christopher Dresser / James Couper & Sons Aventurine blown glass Clutha vase c. 1895
FRANÇOIS-EMILE DECORCHEMENT (1880-1971) France
“Bleu” pâte-de-crystal vase c. 1926
Cobalt blue pâte-de-crystal (lost wax cast crystal) with mauve inclusions, two low-relief friezes of varying abstract vine motifs
Impressed: DECORCHEMENT in a lunette seal, numbered A 865
For more information on Decorchement see: Art Deco, Victor Arwas (New York: Harry N. Abrams,1980) pp. 268-69, 298.
H: 4 1/2″ x Dia: 4 3/4″
Decorchement, Francois Emile. (1880-1970) He set up a glass house in Conches in 1902 producing exquisite pate-de-verre, statuettes, bowls and vases. He extended this range to encompass a rougher hewn surface with motifs of flowers and sometimes insects. His designs became increasingly abstract during the 1930s toward the outbreak of the Second World War; these were often executed in pate-de-cristal. Later the production continued although in a more restrained manner with softer semi-opaque and translucent colors.
PROF. MICHAEL POWOLNY (1871-1954) Austria
JOH. LÖTZ WITWE GLASWERKS Klostermϋhle, Bohemia
Tall bud vase c. 1914
“Opal mit streifen” opaline blown glass with applied blue glass canes and blue knob above opaline base
Exhibited: 1914 Werkbundausstellung, Cologne (Lötz period photograph, vase for the 1914 Cologne Werkbund Exhibition) Lötz: Böhmisches Glas 1880-1940: Werkmonographie, Band 1, Helmut Ricke and Ernst Ploil (Munich: Prestal-Verlag, 1989), p. 267; Wiener Werkstätte Design in Vienna 1903-1932, Christian Brandstätter (New York:Verlag Harry Abrams, 2003) p. 247.
Form illustrated: Lötz: Böhmisches Glas 1880-1940: Werkmonographie, Band 1, Helmut Ricke and Ernst Ploil (Munich: Prestal-Verlag, 1989), p. 267
Same ”opal mit streifen” technique illustrated: Glaskunst der Moderne: von Josef Hoffmann bis Wilhelm Wagenfeld, Torsten Bröhan (Munich: Klinkhardt & Biermann, 1992), cat. no. 19, pp. 74-77.
H: 11″ x Dia: 3 1/2″
Price: $10,500