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  Christopher Dresser / Linthorpe Art Pottery Aesthetic Movement Pitcher 1879-1882

  CHRISTOPHER DRESSER  (1834-1904)  UK
  LINTHORPE ART POTTERY, Middlesbrough, England
  HENRY TOOTH Artistic Manager Linthorpe (1842-1918) UK

  “Flaring Lip” Pitcher   1879-1882

  Glazed earthenware

  Marks: LINTHORPE, Chr. Dresser (facsimile signature),
  HT, no. 346

  Illustrated:  Christopher Dresser, by  Widar Halén (Oxford:  Phaidon, 1990), illus. 185, p.163; Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhibition catalogue Historical Design, Inc. (New York, 1998) p. 76.

  H: 9 3/4″

  The contrasts in Dresser’s designs for different materials showed how his approach to design was also shaped by the properties and nature of a material. In 1879 Dresser was appointed art director at the newly established Linthorpe pottery, near Middlesbrough. Founded by John Harrison, a local businessman, the pottery’s aim was to use local clay to provide jobs for local men. Dresser’s design for the moulds for the pottery were inspired by a wide range of cultures from Japan, Peru, Mexico, Morocco and Ancient British forms. These very striking pieces, with the metal oxides in the complex and innovative glazes providing the only decoration. All of his designs were impressed with a facsimile signature. When Linthorpe closed in 1889, its moulds were acquired by a rival, Ault Pottery in Derbyshire. In 1893, Dresser signed a contract with Ault for new designs specifying that each pot should be marked with his facsimile signature.

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  Christopher Dresser / Linthorpe, Rare Aesthetic Movement Persian jug 1879

  CHRISTOPHER DRESSER (1834-1904) UK
  LINTHORPE ART POTTERY, Middlesbrough
  HENRY TOOTH Artistic Manager Linthorpe (1842-1918) UK

  “Persian” jug 1879-1882

  Glazed earthenware

  Marks: LINTHORPE, Chr. Dresser (facsimile signature),
  HT, no. 344

  Illustrated: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhibition catalogue Historical Design, Inc. (New York, 1998) p. 76.

  H: 8 3/4″

  Rare model.

  The contrasts in Dresser’s designs for different materials showed how his approach to design was also shaped by the properties and nature of a material. In 1879 Dresser was appointed art director at the newly established Linthorpe pottery, near Middlesbrough. Founded by John Harrison, a local businessman, the pottery’s aim was to use local clay to provide jobs for local men. Dresser’s design for the moulds for the pottery were inspired by a wide range of cultures from Japan, Peru, Mexico, Morocco and Ancient British forms. These very striking pieces, with the metal oxides in the complex and innovative glazes providing the only decoration. All of his designs were impressed with a facsimile signature. When Linthorpe closed in 1889, its moulds were acquired by a rival, Ault Pottery in Derbyshire. In 1893, Dresser signed a contract with Ault for new designs specifying that each pot should be marked with his facsimile signature.

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  Andre Thuret French Art Deco Rare Handblown Art Glass Vase c. 1930

  ANDRÉ THURET  (1898-1965)  France

  “Organic” vase/bowl  c. 1930

  Handblown and formed clear glass with bubble technique encapsulating a frosty white oxide.

  Signed: ANDRÉ THURET

  H: 2 3/8″ x D: 4″ x W: 6 1/4″

  Andre Thuret was one of the first modern French studio glass artists and a contemporary of Maurice Marinot. He was born on November 3, 1898 in Paris. It is by science that Andre Thuret came to art. It is in Thuret the engineer and the chemist who serve Thuret the vase artist.  The scientist places at the disposal of the creator of forms, rates/rhythms and colors the fluid and transparent beauty of glass and the reactions of metallic oxides. He worked in a traditional glass blowing technique at a temperature often exceeding 1,000 degrees. Thuret exhibited at the Salon d’Automne in 1928 and 1932 and obtained his first plate of the Company of Encouragement to Art. He was invited to exhibit in the United States in 1929-1930. Andre Thuret received his Chevalier of the Legion of Honor in 1947.

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  Tsuchida Yasuhiko, Art Glass Mosaic Vase 1999

  Tsuchida Yasuhiko  (b. 1969) Osaka, Japan/ Italy

  Art glass mosaic technique vase   1999

  Overall matte finish art glass vase with an elaborate mosaic technique inset with red rectangular patchwork sections and blue murrina jewels all on a chocolate brown body with a black glass foot

  Marks: Tsuchida Yasuhiko 99, 77

  For more information see: Tsuchida Yasuhiko, exh. cat., Franco Schiavon (Murano, Italy: Palazzo del Vetro, 2000).

  Provenance: Pauly & Co. Venice

  H: 4 3/4″ x Dia: 5 1/8″

  Price: $5,450

  Yasuhiko Tsuchida was born in Osaka, Japan in 1969. In 1988, soon after graduating TSUJI Culinary Institute, he left Japan to explore food and art in Paris. Since 1992, he has lived in Venice, Italy. Tsuchida has been making glass work in Murano Island since 1995, and next year assumed the office of art director at Schiavone Glass Co. Ltd. In 1996 he presented a glass sculpture entitled “Bamboo Collection”
  with Japanese motif of bamboo. The work was highly acclaimed, which gave him a chance to start to hold solo exhibitions around the world. In 2000, Tsuchida became a member of the board of directors at Venetian Glass Institute, and a chief director there in 2003. In 2004, he won Honorary Technique Prize in Düsseldorf, Germany, and in 2008, received Award of Contribution to Cultural
  Promotion from Grosseto city, Toscana. In the same year, he
  represented Japan at International Open Exhibition of Sculpture, and won the Grand-Prix. In 2010, Tsuchida was invited to the Issei Miyake “IM10” Project Competition, and held a solo exhibition at Lorusso Gallery, Andria, Italy. Tsuchida continues to exhibit in many solo shows around the world.