Christopher Dresser / Linthorpe, Rare Aesthetic Movement Persian jug 1879
CHRISTOPHER DRESSER (1834-1904) UK
LINTHORPE ART POTTERY, Middlesbrough
HENRY TOOTH Artistic Manager Linthorpe (1842-1918) UK
“Persian” jug 1879-1882
Glazed earthenware
Marks: LINTHORPE, Chr. Dresser (facsimile signature),
HT, no. 344
Illustrated: Truth, Beauty, Power: Dr. Christopher Dresser 1834-1904, exhibition catalogue Historical Design, Inc. (New York, 1998) p. 76.
H: 8 3/4″
Rare model.
The contrasts in Dresser’s designs for different materials showed how his approach to design was also shaped by the properties and nature of a material. In 1879 Dresser was appointed art director at the newly established Linthorpe pottery, near Middlesbrough. Founded by John Harrison, a local businessman, the pottery’s aim was to use local clay to provide jobs for local men. Dresser’s design for the moulds for the pottery were inspired by a wide range of cultures from Japan, Peru, Mexico, Morocco and Ancient British forms. These very striking pieces, with the metal oxides in the complex and innovative glazes providing the only decoration. All of his designs were impressed with a facsimile signature. When Linthorpe closed in 1889, its moulds were acquired by a rival, Ault Pottery in Derbyshire. In 1893, Dresser signed a contract with Ault for new designs specifying that each pot should be marked with his facsimile signature.
Christopher Dresser / Heath & Middleton Petite claret jug 1887
CHRISTOPHER DRESSER (1834-1904) UK
HEATH & MIDDLETON Birmingham, England
Petite claret jug 1887
Sterling silver mounts with hinged covers to both top and spout, glass, ebony handle
Marks: JTH & JHM in a four-lobed cartouche, London assay marks for 1887 (“M” in a shield), Vienna import mark (conjoined AV in a 6-sided cartouche)
Illustrated: Industrial Design Unikate Serienerzeugnisse, Die Neue Sammlung ein neuer Museumstyp des 20. Jahrhunderts, Hans Wichmann (Munich: Prestel-Verlag, 1985), p. 131; Christopher Dresser, ein Viktorianischer Designer, 1834-1904 (Cologne: Kunstgewerbemuseum der Stadt Köln, 1981), p. 73, ill. 86, cat. no. 23; Industrial Design, John Heskett (New York and Toronto: Oxford University Press, 1980), p. 24, illus. 9; Christopher Dresser 1834-1904, Michael Collins (London: Camden Arts Centre, 1979), p. 171, cat.no.12.
Overall matte finish art glass vase with an elaborate mosaic technique inset with red rectangular patchwork sections and blue murrina jewels all on a chocolate brown body with a black glass foot
Marks: Tsuchida Yasuhiko 99, 77
For more information see: Tsuchida Yasuhiko, exh. cat., Franco Schiavon (Murano, Italy: Palazzo del Vetro, 2000).
Provenance: Pauly & Co. Venice
H: 4 3/4″ x Dia: 5 1/8″
Price: $5,450
Yasuhiko Tsuchida was born in Osaka, Japan in 1969. In 1988, soon after graduating TSUJI Culinary Institute, he left Japan to explore food and art in Paris. Since 1992, he has lived in Venice, Italy. Tsuchida has been making glass work in Murano Island since 1995, and next year assumed the office of art director at Schiavone Glass Co. Ltd. In 1996 he presented a glass sculpture entitled “Bamboo Collection”
with Japanese motif of bamboo. The work was highly acclaimed, which gave him a chance to start to hold solo exhibitions around the world. In 2000, Tsuchida became a member of the board of directors at Venetian Glass Institute, and a chief director there in 2003. In 2004, he won Honorary Technique Prize in Düsseldorf, Germany, and in 2008, received Award of Contribution to Cultural
Promotion from Grosseto city, Toscana. In the same year, he
represented Japan at International Open Exhibition of Sculpture, and won the Grand-Prix. In 2010, Tsuchida was invited to the Issei Miyake “IM10” Project Competition, and held a solo exhibition at Lorusso Gallery, Andria, Italy. Tsuchida continues to exhibit in many solo shows around the world.
Christopher Dresser / Old Hall, Persia Pattern, Aesthetic Movement Dinner Plate c. 1861-1886
CHRISTOPHER DRESSER (1834-1904) UK
OLD HALL EARTHENWARE CO. (1861-1886) Staffordshire, UK
“Persia Pattern” dinner plate c. 1861-1886
Overall cream gloss glazed octagonal-shaped earthenware dinner plate from the “Persian” pattern with transfer-printed and over-glazed ornate foliate motif; each corner contains two shallow indentations for condiment use.
Marks: Old Hall and Persia Marks
W: 9 15/16″
The identical plate in the “Persia Pattern” can be found in the collection of the Wolfsonian. A soup plate in the identical “Persia Pattern” can be found in the collection of the Brooklyn Museum.
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