Product Description
Francisco Rebajes “The Kiss” brooch, sterling, signed, c. 1940’s

Francisco Rebajes “The Kiss” brooch, sterling, signed, c. 1940’s
TOMMI PARZINGER (1903-1981) Germany/USA
PETER ALBERT REIMES Silversmith (1900-1945) Germany / USA
Sterling covered pedestal cigarette box with neoclassical motifs c. 1938
PAUL FOLLOT Paris, France
LA MAISON MODERNE Paris, France
Art Nouveau waist clasp c.1900
Gilt silver with chased whiplash design set with 19 cabochons of chrysoprase.
Marks: P. FOLLOT, French swan mark (silver standard mark for small objects)
Illustrated: Documents sur l’Art Industriel au XXe Siecle (Paris: Edition de la Moderne) p. 20, plate 5, n. 53-11
PAUL FOLLOT (1877-1941) French
In the Late 1890’s, Follot studied under graphic designer Eugène Grasset at the Ecole Normale d’Enseignement du Dessin in Paris and later succeeded Grasset in that post. From 1901 to 1904, he designed metalwork, jewelry and textiles for La Maison Moderne, art critic Julius Meier-Graefe’s gallery in Paris. He became director of the interior design studio Pomone of the Paris department store Le Bon Marché in 1923, introducing the Art Deco style into many middle-class home.
TOMMI PARZINGER (1903-1972) Germany / USA
PETER ALBERT REIMES Silversmith (1900-1945) Germany / USA
Modernist Coffee pot c. 1938
Hand wrought sterling silver with meandering floral and leaf design, ebony handle and finial detail
Marks: Designed by Parzinger (in script), hand made, sterling (in script), P*R monogram (initials mark of Peter Reimes)
Model illustrated: LIFE Magazine November 20, 1939
For more information on Tommi Parzinger see: Town & Country, Vol. 54, “Counter Points”, December 1939, p. 31; Town & Country, Vol. 95, “Counter Points”, June 1940, p. 19; The Studio, 1938, “For the Table”, p.107-09; The Studio, 1942, “Tommi Parzinger, Designer of Modern Interiors and Silver”, p.37; Decorative Art, Studio Yearbook (London & New York: The Studio Publications, 1952-53), p. 98; Craft in the Machine Age, ed. Janet Kardon (New York: American Craft Museum, 1995) p.128, 134, 183, 241, Arts and Decoration, June 1940
H: 9 ¼” x W: 6 ½” x D: 3 ¾”