Product Description
Francisco Rebajes “The Kiss” brooch, sterling, signed, c. 1940’s

Francisco Rebajes “The Kiss” brooch, sterling, signed, c. 1940’s
MITZI OTTEN-FRIEDMANN (1884-1955) Austria
WIENER WERKSTÄTTE (1903-1932)
Brooch c. 1915
Reverse-painted glass depicting a couple set in a silver frame / back
Marks: M. OTTEN-FRIEDMANN on the front (right), the reverse stamped: WW, Vienna assay mark for 900 silver
D: 2 3/8”
Rosalia Marie Friedmann-Otten (“Mitzi”) * November 28, 1884 Vienna, † May 5, 1955 New York, NY
Student at the School of Applied Arts in Vienna (with Oskar Strnad), Friedmann-Otten participated in numerous exhibitions (including art shows in 1908, 1920; Neukunstgruppe 1909; German Women’s Art in 1925; Werkbundausstellung 1930). Member of the Austrian Werkbund, the Wiener Werkstätte and the Neukunstgruppe. One of the most versatile artists (commercial art, metalwork, jewelry, fashion, starting from 1920 mainly enamel works, including large-scale email pictures), Friedmann-Otten had to flee in 1938 to the United States.
TOMMI PARZINGER (1903-1972) Germany / USA
PETER ALBERT REIMES Silversmith (1900-1945) Germany / USA
Modernist Coffee pot c. 1938
Hand wrought sterling silver with meandering floral and leaf design, ebony handle and finial detail
Marks: Designed by Parzinger (in script), hand made, sterling (in script), P*R monogram (initials mark of Peter Reimes)
Model illustrated: LIFE Magazine November 20, 1939
For more information on Tommi Parzinger see: Town & Country, Vol. 54, “Counter Points”, December 1939, p. 31; Town & Country, Vol. 95, “Counter Points”, June 1940, p. 19; The Studio, 1938, “For the Table”, p.107-09; The Studio, 1942, “Tommi Parzinger, Designer of Modern Interiors and Silver”, p.37; Decorative Art, Studio Yearbook (London & New York: The Studio Publications, 1952-53), p. 98; Craft in the Machine Age, ed. Janet Kardon (New York: American Craft Museum, 1995) p.128, 134, 183, 241, Arts and Decoration, June 1940
H: 9 ¼” x W: 6 ½” x D: 3 ¾”