Product Description
Gilbert Rohde / Herman Miller American Modernist Clock and Thermometer c.1933
GILBERT ROHDE (1894-1944) USA
HERMAN MILLER CLOCK CO. Zeeland, Mich.
Showroom sample clock and thermometer/barometer c. 1933
Block of seven stacked wood varieties with three brushed chrome bars, chromium-plated rings and original convex glass clock faces
For related Rohde clock designs: American Modern 1925-1940: Design for a New Age, J. Stewart Johnson (New York: Harry Abrams & Am. Federation of Arts, 2000) p. 142-43 The Machine Age in America: 1918-1941, Richard Guy Wilson, Dianne H. Pilgram and Dickran Tashjian, exhibit. Cat. (New York: The Brooklyn Museum and Harry N. Abrams, 1986), vintage Herman Miller catalog.
H: 5 ½” L: 10 ¼” x W: 2 ½”
Gilbert Rohde / Herman Miller American Modernist Clock and Thermometer c.1933
XANTI SCHAWINSKY (1904-1979) Switzerland/USA
Optical Structure 1943
Silver gelatin print
Signed: Xanti Schawinsky 1943 (script signature and date in ink on back of photo)
Photograph: H: 7 7/8” x W: 8”
Frame: H: 16 9/16” x W: 16 9/16”
Price: $24,000
Xanti Schawinsky is usually known either for the activities of his early career, as a young ‘enfant terrible’ of Bauhaus theatre, or for the work he produced at its close as a respected and mature abstract artist. However these two perspectives ignore his tremendous versatility, and the important role he had to play in bringing Modernist ideas to different parts of the inter-war world. Schawinsky was born in Switzerland, the son of a Polish Jew. His creative nature was obvious from an early age, and in his teens he studied art and music in Zurich, before travelling to Berlin and Cologne to learn about design and architecture. In 1924 he enrolled at the Bauhaus, and became involved in the school’s vibrant theatrical scene, also focusing on photography and painting. From the mid 1920s Schawinsky undertook wide range of professional commissions, working as a stage designer, a municipal studio director and a freelance designer. He also returned to the Bauhaus to teach. In 1933 Germany’s growing intolerance forced him to move to Milan, where he spent several years producing commercial graphic design, principally for the typewriter company Olivetti. An invitation to join the progressive Black Mountain College brought him to the USA in 1936. He spent two years at Black Mountain introducing Bauhaus ideas to his American students, before moving to New York to take up freelance design and pursue painting – an activity which absorbed almost all of his attention in his final years. As innovative in commercial art as he was in his unpaid pieces, Schawinsky’s work demonstrated the huge creative power of the inter-war meeting of art and industry.
DOROTHY RENO GROVER (1908-1975) USA
“California Interior with black cat” c. 1950’s
Oil on Canvas
Canvas: H: 40″ x W: 34 1/2″
Framed: H: 42″ x W: 36 1/2″
Born in Dallas, TX on Sept. 10, 1908 into a pioneer Texas family. (Her grandfather was mayor of Dallas, and Brownsville, Texas is named for him.) Dorothy Reno moved to California with her family at age ten and settled in San Mateo. After graduating from Mills College, she obtained an M.A. degree from UC Berkeley. She wed radio announcer John B. Grover in 1931 and settled in Oakland. In 1971 she bought the former home of artist Glenn Wessels in Berkeley where she remained until her death.