Gilbert Rohde / Herman Miller American Modernist Clock and Thermometer c.1933
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Gilbert Rohde / Herman Miller American Modernist Clock and Thermometer c.1933
GILBERT ROHDE (1894-1944) USA
HERMAN MILLER CLOCK CO. Zeeland, Mich.
Showroom sample clock and thermometer/barometer c. 1933
Block of seven stacked wood varieties with three brushed chrome bars, chromium-plated rings and original convex glass clock faces
For related Rohde clock designs: American Modern 1925-1940: Design for a New Age, J. Stewart Johnson (New York: Harry Abrams & Am. Federation of Arts, 2000) p. 142-43 The Machine Age in America: 1918-1941, Richard Guy Wilson, Dianne H. Pilgram and Dickran Tashjian, exhibit. Cat. (New York: The Brooklyn Museum and Harry N. Abrams, 1986), vintage Herman Miller catalog.
Signed: Leontyne Price as Bes, Porgy & Bess, XVII KK 20, May 19, 53 (in ink on back); PHOTOGRAPH BY CARL VAN VECHTEN, 101 CENTRAL PARK WEST, CANNOT BE REPRODUCED WITHOUT PERMISSION (ink stamp on back)
György Kepes, Abstraction, Gelatin silver print, 1942
GYÖRGY KEPES (1906-2001) Hungary/USA
Abstraction 1942
Silver gelatin print
Signed: 9 (in a circle, on back); Gyorgy Kepes 1942 (in ink on back)
György Kepes was a Hungarian-born painter, designer, educator and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. In 1947 He founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974.
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